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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 A stallion The Marwari or Malani is a rare breed of horse from the Marwar (or Jodhpur) region of Rajasthan, in north-west India. It is closely related to the Kathiawari breed of the Kathiawar peninsula of Gujarat, with which it shares an unusual inward-curving shape of the ears. It is found in all equine colours, including piebald and skewbald. It is a hardy riding horse; it may exhibit a natural ambling gait. The Rathores, traditional rulers of the Marwar region of western India, were the first to breed the Marwari. Beginning in the 12th century, they espoused strict breeding that promoted purity and hardiness. Used throughout history as a cavalry horse by the people of the Marwar region, the Marwari was noted for its loyalty and bravery in battle. The breed deteriorated in the 1930s, when poor management practices resulted in a reduction of the breeding stock, but today has regained some of its popularity. The Marwari is used for light draught and agricultural work, as well as riding and packing. In 1995, a breed society was formed for the Marwari horse in India. The exportation of Marwari horses was banned for decades, but between 2000 and 2006, a small number of exports were allowed. Since 2008, visas allowing temporary travel of Marwari horses outside India have been available in small numbers. Though they are rare they are becoming more popular outside of India due to their unique looks. (Full article...)

    A stallion

    The Marwari or Malani is a rare breed of horse from the Marwar (or Jodhpur) region of Rajasthan, in north-west India. It is closely related to the Kathiawari breed of the Kathiawar peninsula of Gujarat, with which it shares an unusual inward-curving shape of the ears. It is found in all equine colours, including piebald and skewbald. It is a hardy riding horse; it may exhibit a natural ambling gait.

    The Rathores, traditional rulers of the Marwar region of western India, were the first to breed the Marwari. Beginning in the 12th century, they espoused strict breeding that promoted purity and hardiness. Used throughout history as a cavalry horse by the people of the Marwar region, the Marwari was noted for its loyalty and bravery in battle. The breed deteriorated in the 1930s, when poor management practices resulted in a reduction of the breeding stock, but today has regained some of its popularity. The Marwari is used for light draught and agricultural work, as well as riding and packing. In 1995, a breed society was formed for the Marwari horse in India. The exportation of Marwari horses was banned for decades, but between 2000 and 2006, a small number of exports were allowed. Since 2008, visas allowing temporary travel of Marwari horses outside India have been available in small numbers. Though they are rare they are becoming more popular outside of India due to their unique looks. (Full article...)
  • Image 2 Shah in 2022 Shefali Shah (née Shetty; born 22 May 1973) is an Indian actress of film, television and theatre. Working primarily in independent Hindi films, she has received multiple local and foreign accolades for her performances. Shah's acting career started on the Gujarati stage before she debuted on television in 1993. After small parts on television and a brief stint with cinema in Rangeela (1995), she gained wider recognition in 1997 for her role in the popular series Hasratein. This was followed by lead roles in the TV series Kabhie Kabhie (1997) and Raahein (1999). A supporting role in the crime film Satya (1998) won her positive notice and a Filmfare Critics Award, and she soon shifted her focus to film acting starting with a lead role in the Gujarati drama Dariya Chhoru (1999). Shah was selective about her roles through the following decades, resulting in intermittent film work, mostly in character parts and often to appreciation from critics. She appeared in the international co-production Monsoon Wedding (2001) and the mainstream comedy-drama Waqt: The Race Against Time (2005). In 2007, her portrayal of Kasturba Gandhi in the biographical drama Gandhi, My Father won her the Best Actress prize at the Tokyo International Film Festival, and she received the National Film Award for Best Supporting Actress for the drama film The Last Lear. Among her subsequent film roles, she played a leading part in Kucch Luv Jaisaa (2011) and was noted for her work in the social problem film Lakshmi (2014) and the ensemble drama Dil Dhadakne Do (2015). (Full article...)

    Shah in 2022

    Shefali Shah (née Shetty; born 22 May 1973) is an Indian actress of film, television and theatre. Working primarily in independent Hindi films, she has received multiple local and foreign accolades for her performances. Shah's acting career started on the Gujarati stage before she debuted on television in 1993. After small parts on television and a brief stint with cinema in Rangeela (1995), she gained wider recognition in 1997 for her role in the popular series Hasratein. This was followed by lead roles in the TV series Kabhie Kabhie (1997) and Raahein (1999). A supporting role in the crime film Satya (1998) won her positive notice and a Filmfare Critics Award, and she soon shifted her focus to film acting starting with a lead role in the Gujarati drama Dariya Chhoru (1999).

    Shah was selective about her roles through the following decades, resulting in intermittent film work, mostly in character parts and often to appreciation from critics. She appeared in the international co-production Monsoon Wedding (2001) and the mainstream comedy-drama Waqt: The Race Against Time (2005). In 2007, her portrayal of Kasturba Gandhi in the biographical drama Gandhi, My Father won her the Best Actress prize at the Tokyo International Film Festival, and she received the National Film Award for Best Supporting Actress for the drama film The Last Lear. Among her subsequent film roles, she played a leading part in Kucch Luv Jaisaa (2011) and was noted for her work in the social problem film Lakshmi (2014) and the ensemble drama Dil Dhadakne Do (2015). (Full article...)
  • Image 3 Ganges river dolphin breaking the surface South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene. South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)

    Ganges river dolphin breaking the surface

    South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene.

    South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)
  • Image 4 Kapadia in 2018 Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses. While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)

    Kapadia in 2018

    Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses.

    While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)
  • Image 5 Satellite image of the tropical storm on May 13 The 2003 Sri Lanka cyclone was a moderately powerful tropical cyclone that produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day. In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)

    Satellite image of the tropical storm on May 13

    The 2003 Sri Lanka cyclone was a moderately powerful tropical cyclone that produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day.

    In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)
  • Image 6 Chandralekha (also spelt Chandraleka) is a 1948 Indian historical adventure film produced and directed by S. S. Vasan of Gemini Studios. Starring T. R. Rajakumari, M. K. Radha and Ranjan, the film follows two brothers (Veerasimhan and Sasankan) who fight over ruling their father's kingdom and marrying a village dancer, Chandralekha. Development began during the early 1940s when, after two successive box-office hits, Vasan announced that his next film would be entitled Chandralekha. However, when he launched an advertising campaign for the film he only had the name of the heroine from a storyline he had rejected. Veppathur Kittoo (one of Vasan's storyboard artists) developed a story based on a chapter of George W. M. Reynolds' novel, Robert Macaire: or, The French bandit in England. Original director T. G. Raghavachari left the film more than halfway through because of disagreements with Vasan, who took over in his directorial debut. (Full article...)
    Chandralekha (also spelt Chandraleka) is a 1948 Indian historical adventure film produced and directed by S. S. Vasan of Gemini Studios. Starring T. R. Rajakumari, M. K. Radha and Ranjan, the film follows two brothers (Veerasimhan and Sasankan) who fight over ruling their father's kingdom and marrying a village dancer, Chandralekha.

    Development began during the early 1940s when, after two successive box-office hits, Vasan announced that his next film would be entitled Chandralekha. However, when he launched an advertising campaign for the film he only had the name of the heroine from a storyline he had rejected. Veppathur Kittoo (one of Vasan's storyboard artists) developed a story based on a chapter of George W. M. Reynolds' novel, Robert Macaire: or, The French bandit in England. Original director T. G. Raghavachari left the film more than halfway through because of disagreements with Vasan, who took over in his directorial debut. (Full article...)
  • Image 7 Greatest extent of the Chalukya Empire The Chalukya dynasty ([tʃaːɭukjə]) was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12th century. The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas. A Southern India-based kingdom took control and consolidated the entire region between the Kaveri and the Narmada rivers. The rise of this empire saw the birth of efficient administration, overseas trade and commerce and the development of new style of architecture called "Chalukyan architecture". Kannada literature, which had enjoyed royal support in the 9th century Rashtrakuta court found eager patronage from the Western Chalukyas in the Jain and Veerashaiva traditions. The 11th century saw the patronage of Telugu literature under the Eastern Chalukyas. (Full article...)

    Greatest extent of the Chalukya Empire

    The Chalukya dynasty ([tʃaːɭukjə]) was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12th century.

    The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas. A Southern India-based kingdom took control and consolidated the entire region between the Kaveri and the Narmada rivers. The rise of this empire saw the birth of efficient administration, overseas trade and commerce and the development of new style of architecture called "Chalukyan architecture". Kannada literature, which had enjoyed royal support in the 9th century Rashtrakuta court found eager patronage from the Western Chalukyas in the Jain and Veerashaiva traditions. The 11th century saw the patronage of Telugu literature under the Eastern Chalukyas. (Full article...)
  • Image 8 India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago. Their long occupation, predominantly in isolation as hunter-gatherers, has made the region highly diverse, second only to Africa in human genetic diversity. Settled life emerged on the subcontinent in the western margins of the Indus river basin 9,000 years ago, evolving gradually into the Indus Valley Civilisation of the third millennium BCE. By 1200 BCE, an archaic form of Sanskrit, an Indo-European language, had diffused into India from the northwest. Its hymns recorded the dawning of Hinduism in India. India's pre-existing Dravidian languages were supplanted in the northern regions. By 400 BCE, caste had emerged within Hinduism, and Buddhism and Jainism had arisen, proclaiming social orders unlinked to heredity. Early political consolidations gave rise to the loose-knit Maurya and Gupta Empires. Widespread creativity suffused this era, but the status of women declined, and untouchability became an organized belief. In South India, the Middle kingdoms exported Dravidian language scripts and religious cultures to the kingdoms of Southeast Asia. (Full article...)

    India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia.

    Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago. Their long occupation, predominantly in isolation as hunter-gatherers, has made the region highly diverse, second only to Africa in human genetic diversity. Settled life emerged on the subcontinent in the western margins of the Indus river basin 9,000 years ago, evolving gradually into the Indus Valley Civilisation of the third millennium BCE. By 1200 BCE, an archaic form of Sanskrit, an Indo-European language, had diffused into India from the northwest. Its hymns recorded the dawning of Hinduism in India. India's pre-existing Dravidian languages were supplanted in the northern regions. By 400 BCE, caste had emerged within Hinduism, and Buddhism and Jainism had arisen, proclaiming social orders unlinked to heredity. Early political consolidations gave rise to the loose-knit Maurya and Gupta Empires. Widespread creativity suffused this era, but the status of women declined, and untouchability became an organized belief. In South India, the Middle kingdoms exported Dravidian language scripts and religious cultures to the kingdoms of Southeast Asia. (Full article...)
  • Image 9 Aitraaz (transl. Objection) is a 2004 Indian Hindi-language romantic thriller film directed by Abbas–Mustan and produced by Subhash Ghai. It stars Akshay Kumar, Priyanka Chopra and Kareena Kapoor. Aitraaz tells the story of a man accused of sexual harassment by his female superior, and was released on 12 November 2004 to positive reviews. Chopra received widespread critical acclaim for her performance. Loosely based on the 1994 film Disclosure, the film was a major commercial success grossing ₹260 million at the box office against a budget of ₹110 million, and has been noted for its bold subject of male sexual harassment. (Full article...)
    Aitraaz (transl. Objection) is a 2004 Indian Hindi-language romantic thriller film directed by Abbas–Mustan and produced by Subhash Ghai. It stars Akshay Kumar, Priyanka Chopra and Kareena Kapoor.

    Aitraaz tells the story of a man accused of sexual harassment by his female superior, and was released on 12 November 2004 to positive reviews. Chopra received widespread critical acclaim for her performance. Loosely based on the 1994 film Disclosure, the film was a major commercial success grossing ₹260 million at the box office against a budget of ₹110 million, and has been noted for its bold subject of male sexual harassment. (Full article...)
  • Image 10 Kalidas (pronounced [kaːɭidaːs] transl. The Servant of Kali) is a 1931 Indian biographical film directed by H. M. Reddy and produced by Ardeshir Irani. It is notable for being the first sound film in the Tamil and Telugu languages, and the first sound film to be made in a Dravidian language. It was based on the life of the Sanskrit poet Kalidasa, hence its namesake; it featured P. G. Venkatesan in the title role and T. P. Rajalakshmi as the female lead, with L. V. Prasad, Thevaram Rajambal, T. Susheela Devi, J. Sushila, and M. S. Santhanalakshmi in supporting roles. Kalidas, principally in Tamil, contained additional dialogue in Telugu and Hindi. While Rajalakshmi spoke Tamil, Venkatesan spoke only Telugu due to his lack of fluency in Tamil, and Prasad spoke only Hindi. Despite its mythological theme, the film featured songs from much later time periods, such as the compositions of Carnatic musician Tyagaraja, publicity songs of the Indian National Congress, and songs about Mahatma Gandhi and the Indian independence movement. The sound was recorded using German-made technology. Kalidas was shot in Bombay on the sets of India's first sound film Alam Ara (1931) and was completed in eight days. (Full article...)

    Kalidas (pronounced [kaːɭidaːs] transl. The Servant of Kali) is a 1931 Indian biographical film directed by H. M. Reddy and produced by Ardeshir Irani. It is notable for being the first sound film in the Tamil and Telugu languages, and the first sound film to be made in a Dravidian language. It was based on the life of the Sanskrit poet Kalidasa, hence its namesake; it featured P. G. Venkatesan in the title role and T. P. Rajalakshmi as the female lead, with L. V. Prasad, Thevaram Rajambal, T. Susheela Devi, J. Sushila, and M. S. Santhanalakshmi in supporting roles.

    Kalidas, principally in Tamil, contained additional dialogue in Telugu and Hindi. While Rajalakshmi spoke Tamil, Venkatesan spoke only Telugu due to his lack of fluency in Tamil, and Prasad spoke only Hindi. Despite its mythological theme, the film featured songs from much later time periods, such as the compositions of Carnatic musician Tyagaraja, publicity songs of the Indian National Congress, and songs about Mahatma Gandhi and the Indian independence movement. The sound was recorded using German-made technology. Kalidas was shot in Bombay on the sets of India's first sound film Alam Ara (1931) and was completed in eight days. (Full article...)
  • Image 11 Mukerji promoting Hichki in 2018 Rani Mukerji (pronounced Hindustani pronunciation: [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s. Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)

    Mukerji promoting Hichki in 2018

    Rani Mukerji (pronounced Hindustani pronunciation: [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s.

    Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)
  • Image 12 Gemini (/dʒɛminɪ/) is a 2002 Indian Tamil-language crime action film written and directed by Saran with Pon Elango as assistant director. This film was produced by AVM Productions. The film stars Vikram in the main lead role, while Kiran Rathod, Murali, Kalabhavan Mani, Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance. In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharadwaj. (Full article...)
    Gemini (/dʒɛminɪ/) is a 2002 Indian Tamil-language crime action film written and directed by Saran with Pon Elango as assistant director. This film was produced by AVM Productions. The film stars Vikram in the main lead role, while Kiran Rathod, Murali, Kalabhavan Mani, Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance.

    In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharadwaj. (Full article...)
  • Image 13 A female African bush elephant in Mikumi National Park, Tanzania Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs. Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)

    A female African bush elephant in Mikumi National Park, Tanzania

    Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs.

    Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)
  • Image 14 Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages. The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)

    Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages.

    The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)
  • Image 15 The Legend of Bhagat Singh is a 2002 Indian Hindi-language biographical drama film directed by Rajkumar Santoshi. The film is about Bhagat Singh, a revolutionary who fought for Indian independence along with fellow members of the Hindustan Socialist Republican Association. It features Ajay Devgan as the titular character along with Sushant Singh, D. Santosh and Akhilendra Mishra as the other lead characters. Raj Babbar, Farida Jalal and Amrita Rao play supporting roles. The film chronicles Singh's life from his childhood where he witnesses the Jallianwala Bagh massacre until the day he was hanged to death before the official trial dated 24 March 1931. The film was produced by Kumar and Ramesh Taurani's Tips Industries on a budget of ₹200–250 million (about US$4.2–5.2 million in 2002). The story and dialogue were written by Santoshi and Piyush Mishra respectively, while Anjum Rajabali drafted the screenplay. K. V. Anand, V. N. Mayekar and Nitin Chandrakant Desai were in charge of the cinematography, editing and production design respectively. Principal photography took place in Agra, Manali, Mumbai and Pune from January to May 2002. The soundtrack and film score were composed by A. R. Rahman, with the songs "Mera Rang De Basanti" and "Sarfaroshi Ki Tamanna" being well received in particular. (Full article...)
    The Legend of Bhagat Singh is a 2002 Indian Hindi-language biographical drama film directed by Rajkumar Santoshi. The film is about Bhagat Singh, a revolutionary who fought for Indian independence along with fellow members of the Hindustan Socialist Republican Association. It features Ajay Devgan as the titular character along with Sushant Singh, D. Santosh and Akhilendra Mishra as the other lead characters. Raj Babbar, Farida Jalal and Amrita Rao play supporting roles. The film chronicles Singh's life from his childhood where he witnesses the Jallianwala Bagh massacre until the day he was hanged to death before the official trial dated 24 March 1931.

    The film was produced by Kumar and Ramesh Taurani's Tips Industries on a budget of ₹200–250 million (about US$4.2–5.2 million in 2002). The story and dialogue were written by Santoshi and Piyush Mishra respectively, while Anjum Rajabali drafted the screenplay. K. V. Anand, V. N. Mayekar and Nitin Chandrakant Desai were in charge of the cinematography, editing and production design respectively. Principal photography took place in Agra, Manali, Mumbai and Pune from January to May 2002. The soundtrack and film score were composed by A. R. Rahman, with the songs "Mera Rang De Basanti" and "Sarfaroshi Ki Tamanna" being well received in particular. (Full article...)
  • Image 16 Narayan in 1974 Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player. Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)

    Narayan in 1974

    Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.

    Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. Narayan relocated to Delhi following the partition of India in 1947, but, wishing to go beyond accompaniment and frustrated with his supporting role, moved to Mumbai in 1949 to work in Indian cinema. (Full article...)
  • Image 17 The Kingdom of Mysore was a geopolitical realm in southern India founded in around 1399 in the vicinity of the modern-day city of Mysore and prevailed until 1950. The territorial boundaries and the form of government transmuted substantially throughout the kingdom's lifetime. While originally a feudal vassal under the Vijayanagara Empire, it became a princely state in British Raj from 1799 to 1947, marked in-between by major political changes. The kingdom, which was founded and ruled for the most part by the Wadiyars, initially served as a feudal vassal under the Vijayanagara Empire. With the gradual decline of the Empire, the 16th-century Timmaraja Wodeyar II declared independence from it. The 17th century saw a steady expansion of its territory and, during the rules of Narasaraja Wodeyar I and Devaraja Wodeyar II, the kingdom annexed large expanses of what is now southern Karnataka and parts of Tamil Nadu, becoming a formidable power in the Deccan. (Full article...)

    The Kingdom of Mysore was a geopolitical realm in southern India founded in around 1399 in the vicinity of the modern-day city of Mysore and prevailed until 1950. The territorial boundaries and the form of government transmuted substantially throughout the kingdom's lifetime. While originally a feudal vassal under the Vijayanagara Empire, it became a princely state in British Raj from 1799 to 1947, marked in-between by major political changes.

    The kingdom, which was founded and ruled for the most part by the Wadiyars, initially served as a feudal vassal under the Vijayanagara Empire. With the gradual decline of the Empire, the 16th-century Timmaraja Wodeyar II declared independence from it. The 17th century saw a steady expansion of its territory and, during the rules of Narasaraja Wodeyar I and Devaraja Wodeyar II, the kingdom annexed large expanses of what is now southern Karnataka and parts of Tamil Nadu, becoming a formidable power in the Deccan. (Full article...)
  • Image 18 Nyctibatrachus major, the Malabar night frog, large wrinkled frog, or Boulenger's narrow-eyed frog is a species of frog in the family Nyctibatrachidae, commonly known as the robust frogs. It was described in 1882 by the zoologist George Albert Boulenger, and is the type species of the genus Nyctibatrachus. It is a large frog for its genus, with an adult snout–vent length of 31.5–52.0 mm (1.24–2.05 in) for males and 43.7–54.2 mm (1.72–2.13 in) for females. It is mainly brownish to greyish in colour, with a dark greyish-brown upperside, a greyish-white underside, and light grey sides. It also has a variety of grey or brown markings. When preserved in ethanol, it is mostly greyish-brown to grey, with whitish sides. Sexes can be told apart by the presence of the femoral glands (bulbous glands near the inner thigh) in males. The species is endemic to the Western Ghats mountain range of India, where it is found in Kerala, Tamil Nadu, and Karnataka. Adults inhabit fast-moving forest streams at elevations of up to 900 m (3,000 ft) and have highly specific habitat requirements. Adults are mostly found in or near water and are nocturnal; subadults can be found during both the night and day. Its diet mainly consists of other frogs and insect larvae. Over a period of several days or weeks, females lay multiple small clutches of eggs on leaves and rocks overhanging water; tadpoles drop into the water below on hatching. The species is currently classified as being vulnerable on the IUCN Red List owing to its small and fragmented range and ongoing habitat degradation. Threats to the species include habitat loss, increased human presence near the streams it inhabits, and possibly nitrate pollution caused by fertiliser overuse. (Full article...)

    Nyctibatrachus major, the Malabar night frog, large wrinkled frog, or Boulenger's narrow-eyed frog is a species of frog in the family Nyctibatrachidae, commonly known as the robust frogs. It was described in 1882 by the zoologist George Albert Boulenger, and is the type species of the genus Nyctibatrachus. It is a large frog for its genus, with an adult snout–vent length of 31.5–52.0 mm (1.24–2.05 in) for males and 43.7–54.2 mm (1.72–2.13 in) for females. It is mainly brownish to greyish in colour, with a dark greyish-brown upperside, a greyish-white underside, and light grey sides. It also has a variety of grey or brown markings. When preserved in ethanol, it is mostly greyish-brown to grey, with whitish sides. Sexes can be told apart by the presence of the femoral glands (bulbous glands near the inner thigh) in males.

    The species is endemic to the Western Ghats mountain range of India, where it is found in Kerala, Tamil Nadu, and Karnataka. Adults inhabit fast-moving forest streams at elevations of up to 900 m (3,000 ft) and have highly specific habitat requirements. Adults are mostly found in or near water and are nocturnal; subadults can be found during both the night and day. Its diet mainly consists of other frogs and insect larvae. Over a period of several days or weeks, females lay multiple small clutches of eggs on leaves and rocks overhanging water; tadpoles drop into the water below on hatching. The species is currently classified as being vulnerable on the IUCN Red List owing to its small and fragmented range and ongoing habitat degradation. Threats to the species include habitat loss, increased human presence near the streams it inhabits, and possibly nitrate pollution caused by fertiliser overuse. (Full article...)
  • Image 19 Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power. Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
    Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India

    A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.

    Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
  • Image 20 Enthiran (transl. Robot) is a 2010 Indian Tamil-language science fiction action film co-written and directed by S. Shankar. It is the first installment in the Enthiran film series. The film stars Rajinikanth in the main dual lead role as a scientist and the robot he created. Aishwarya Rai Bachchan, Danny Denzongpa, Santhanam and Karunas play supporting roles. The soundtrack album and background score were composed by A. R. Rahman while the dialogues, cinematography, editing and art direction were handled by Madhan Karky, R. Rathnavelu, Anthony and Sabu Cyril respectively. The story revolves around the struggle of a scientist named Vaseegaran to control his sophisticated android robot named Chitti, after Chitti's software is upgraded to give it the ability to comprehend and exhibit human emotions and to commission it to the Indian Army. The project backfires when Chitti falls in love with Vaseegaran's girlfriend Sana, and is manipulated by Vaseegaran's mentor Bohra into becoming homicidal. After being stalled in the development phase for nearly a decade, the film's principal photography began in 2008 and lasted two years. The film marked the debut of Legacy Effects studio (which was responsible for the film's prosthetic make-up and animatronics) in Indian cinema. Enthiran was released worldwide on 1 October 2010. Produced by Kalanithi Maran, it was the most expensive Indian film at the time of its release. (Full article...)
    Enthiran (transl. Robot) is a 2010 Indian Tamil-language science fiction action film co-written and directed by S. Shankar. It is the first installment in the Enthiran film series. The film stars Rajinikanth in the main dual lead role as a scientist and the robot he created. Aishwarya Rai Bachchan, Danny Denzongpa, Santhanam and Karunas play supporting roles. The soundtrack album and background score were composed by A. R. Rahman while the dialogues, cinematography, editing and art direction were handled by Madhan Karky, R. Rathnavelu, Anthony and Sabu Cyril respectively. The story revolves around the struggle of a scientist named Vaseegaran to control his sophisticated android robot named Chitti, after Chitti's software is upgraded to give it the ability to comprehend and exhibit human emotions and to commission it to the Indian Army. The project backfires when Chitti falls in love with Vaseegaran's girlfriend Sana, and is manipulated by Vaseegaran's mentor Bohra into becoming homicidal.

    After being stalled in the development phase for nearly a decade, the film's principal photography began in 2008 and lasted two years. The film marked the debut of Legacy Effects studio (which was responsible for the film's prosthetic make-up and animatronics) in Indian cinema. Enthiran was released worldwide on 1 October 2010. Produced by Kalanithi Maran, it was the most expensive Indian film at the time of its release. (Full article...)
  • Image 21 Greatest extent of the Western Chalukya Empire, 1121 AD The Western Chalukya Empire (/tʃəˈluːkjə/ chə-LOO-kyə) ruled most of the western Deccan, South India, between the 10th and 12th centuries. This Kannada dynasty is sometimes called the Kalyani Chalukya after its regal capital at Kalyani, today's Basavakalyan in the modern Bidar district of Karnataka state, and alternatively the Later Chalukya from its theoretical relationship to the 6th-century Chalukya dynasty of Badami. The dynasty is called Western Chalukyas to differentiate from the contemporaneous Eastern Chalukyas of Vengi, a separate dynasty. Before the rise of these Chalukyas, the Rashtrakuta Empire of Manyakheta controlled most of the Deccan Plateau and Central India for over two centuries. In 973, seeing confusion in the Rashtrakuta empire after a successful invasion of their capital by the ruler of the Paramara dynasty of Malwa, Tailapa II, a feudatory of the Rashtrakuta dynasty ruling from Bijapur region defeated his overlords and made Manyakheta his capital. The dynasty quickly rose to power and grew into an empire under Someshvara I who moved the capital to Kalyani. For over a century, the two empires of South India, the Western Chalukyas and the Chola dynasty of Thanjavur fought many fierce wars to control the fertile region of Vengi. During these conflicts, the Eastern Chalukyas of Vengi, distant cousins of the Western Chalukyas but related to the Cholas by marriage, took sides with the Cholas further complicating the situation. During the rule of Vikramaditya VI, in the late 11th and early 12th centuries, the Western Chalukyas convincingly contended with the Cholas and reached a peak, ruling territories that spread over most of the Deccan, between the Narmada River in the north and Kaveri River in the south. His exploits were not limited to the south for even as a prince, during the rule of Someshvara I, he had led successful military campaigns as far east as modern Bihar and Bengal. During this period the other major ruling families of the Deccan, the Hoysala Empire, the Seuna dynasty, the Kakatiya dynasty and the Kalachuris of Kalyani, were subordinates of the Western Chalukyas and gained their independence only when the power of the Chalukya waned during the later half of the 12th century. (Full article...)

    Greatest extent of the Western Chalukya Empire, 1121 AD

    The Western Chalukya Empire (/tʃəˈluːkjə/ chə-LOO-kyə) ruled most of the western Deccan, South India, between the 10th and 12th centuries. This Kannada dynasty is sometimes called the Kalyani Chalukya after its regal capital at Kalyani, today's Basavakalyan in the modern Bidar district of Karnataka state, and alternatively the Later Chalukya from its theoretical relationship to the 6th-century Chalukya dynasty of Badami. The dynasty is called Western Chalukyas to differentiate from the contemporaneous Eastern Chalukyas of Vengi, a separate dynasty. Before the rise of these Chalukyas, the Rashtrakuta Empire of Manyakheta controlled most of the Deccan Plateau and Central India for over two centuries. In 973, seeing confusion in the Rashtrakuta empire after a successful invasion of their capital by the ruler of the Paramara dynasty of Malwa, Tailapa II, a feudatory of the Rashtrakuta dynasty ruling from Bijapur region defeated his overlords and made Manyakheta his capital. The dynasty quickly rose to power and grew into an empire under Someshvara I who moved the capital to Kalyani.

    For over a century, the two empires of South India, the Western Chalukyas and the Chola dynasty of Thanjavur fought many fierce wars to control the fertile region of Vengi. During these conflicts, the Eastern Chalukyas of Vengi, distant cousins of the Western Chalukyas but related to the Cholas by marriage, took sides with the Cholas further complicating the situation. During the rule of Vikramaditya VI, in the late 11th and early 12th centuries, the Western Chalukyas convincingly contended with the Cholas and reached a peak, ruling territories that spread over most of the Deccan, between the Narmada River in the north and Kaveri River in the south. His exploits were not limited to the south for even as a prince, during the rule of Someshvara I, he had led successful military campaigns as far east as modern Bihar and Bengal. During this period the other major ruling families of the Deccan, the Hoysala Empire, the Seuna dynasty, the Kakatiya dynasty and the Kalachuris of Kalyani, were subordinates of the Western Chalukyas and gained their independence only when the power of the Chalukya waned during the later half of the 12th century. (Full article...)
  • Image 22 In Kruger National Park, South Africa The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa. Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)

    In Kruger National Park, South Africa

    The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa.

    Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)
  • Image 23 Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾapːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable and the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011. Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)

    Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾapːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable and the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011.

    Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)
  • Image 24 Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film. The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
    Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film.

    The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
  • Image 25 Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. It tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai. Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
    Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. It tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai.

    Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
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  • Image 1 Piku is a 2015 Indian comedy-drama film directed by Shoojit Sircar and produced by N.P. Singh, Ronnie Lahiri and Sneha Rajani. The film stars Deepika Padukone as the eponymous protagonist, alongside Amitabh Bachchan and Irrfan Khan. Moushumi Chatterjee and Jisshu Sengupta play supporting roles. It was written by Juhi Chaturvedi and the musical score was composed by Anupam Roy. Piku tells the story of a headstrong Bengali architect, who along with her hypochondriac father and a helpful businessman embark on a road trip from New Delhi to Kolkata. Made on an estimated budget of ₹420 million (US$4.8 million), Piku was released on 8 May 2015, and grossed approximately ₹1.41 billion (US$16 million) worldwide. The film garnered awards and nominations in several categories, with particular praise for its writing, music, and the performances of Padukone and Bachchan. As of June 2016, the film has won a minimum of 35 awards. (Full article...)

    Piku is a 2015 Indian comedy-drama film directed by Shoojit Sircar and produced by N.P. Singh, Ronnie Lahiri and Sneha Rajani. The film stars Deepika Padukone as the eponymous protagonist, alongside Amitabh Bachchan and Irrfan Khan. Moushumi Chatterjee and Jisshu Sengupta play supporting roles. It was written by Juhi Chaturvedi and the musical score was composed by Anupam Roy. Piku tells the story of a headstrong Bengali architect, who along with her hypochondriac father and a helpful businessman embark on a road trip from New Delhi to Kolkata.

    Made on an estimated budget of ₹420 million (US$4.8 million), Piku was released on 8 May 2015, and grossed approximately ₹1.41 billion (US$16 million) worldwide. The film garnered awards and nominations in several categories, with particular praise for its writing, music, and the performances of Padukone and Bachchan. As of June 2016, the film has won a minimum of 35 awards. (Full article...)
  • Image 2 Vidya Balan's performance in Kahaani garnered her several awards and nominations Kahaani (transl. Story) is a 2012 Indian mystery thriller film directed and co-produced by Sujoy Ghosh. The film stars Vidya Balan as the protagonist, and features Parambrata Chatterjee, Nawazuddin Siddiqui, and Saswata Chatterjee in supporting roles. The film was edited by Namrata Rao, with the cinematography provided by Setu. Set in the city of Kolkata during the festivities of Durga Puja, Kahaani follows the life of a pregnant woman, Vidya Bagchi (Vidya Balan), in search of her husband, a man whose existence is denied by the people she encounters. Made on a budget of ₹80 million (US$920,000), Kahaani was released on 9 March 2012 and grossed over ₹1.04 billion (US$12 million) worldwide after a 50-day theatrical run. The film garnered awards and nominations in several categories, with particular praise for its direction and the performance of the lead actress. As of 2014, the film has won 28 awards. (Full article...)
    A picture of Vidya Balan, looking towards the camera.
    Vidya Balan's performance in Kahaani garnered her several awards and nominations

    Kahaani (transl. Story) is a 2012 Indian mystery thriller film directed and co-produced by Sujoy Ghosh. The film stars Vidya Balan as the protagonist, and features Parambrata Chatterjee, Nawazuddin Siddiqui, and Saswata Chatterjee in supporting roles. The film was edited by Namrata Rao, with the cinematography provided by Setu. Set in the city of Kolkata during the festivities of Durga Puja, Kahaani follows the life of a pregnant woman, Vidya Bagchi (Vidya Balan), in search of her husband, a man whose existence is denied by the people she encounters.

    Made on a budget of ₹80 million (US$920,000), Kahaani was released on 9 March 2012 and grossed over ₹1.04 billion (US$12 million) worldwide after a 50-day theatrical run. The film garnered awards and nominations in several categories, with particular praise for its direction and the performance of the lead actress. As of 2014, the film has won 28 awards. (Full article...)
  • Image 3 Kaththi (transl. Knife) is a 2014 Indian Tamil-language action film written and directed by AR Murugadoss. The film stars Vijay and Samantha Ruth Prabhu while Sathish, Neil Nitin Mukesh and Tota Roy Chowdhury play supporting roles. The film focuses on the attempts made by a petty thief Kathiresan (Vijay), the look-alike of a jailed hydrology graduate Jeevanandham (Vijay), to lead a rebellion by farmers from the latter's village, Thanoothu. Kathiresan helps them fight against Chirag (Mukesh), the owner of a soft drink company who has exploited Thanoothu's water resources for his own profit. Produced by Allirajah Subaskaran and K. Karunamoorthy under their production company Lyca Productions, the soundtrack and score were composed by Anirudh Ravichander. George C. Williams and A. Sreekar Prasad were in charge of the cinematography and editing respectively. Produced on a budget of ₹700 million, Kaththi was released on 22 October 2014 to critical acclaim. It was commercially successful, grossing ₹1.3 billion worldwide. The film won 14 awards from 33 nominations; its direction, story, screenplay, performances of the cast members, music, choreography and stunt direction have received the most attention from award groups. (Full article...)
    Kaththi (transl. Knife) is a 2014 Indian Tamil-language action film written and directed by AR Murugadoss. The film stars Vijay and Samantha Ruth Prabhu while Sathish, Neil Nitin Mukesh and Tota Roy Chowdhury play supporting roles. The film focuses on the attempts made by a petty thief Kathiresan (Vijay), the look-alike of a jailed hydrology graduate Jeevanandham (Vijay), to lead a rebellion by farmers from the latter's village, Thanoothu. Kathiresan helps them fight against Chirag (Mukesh), the owner of a soft drink company who has exploited Thanoothu's water resources for his own profit. Produced by Allirajah Subaskaran and K. Karunamoorthy under their production company Lyca Productions, the soundtrack and score were composed by Anirudh Ravichander. George C. Williams and A. Sreekar Prasad were in charge of the cinematography and editing respectively.

    Produced on a budget of ₹700 million, Kaththi was released on 22 October 2014 to critical acclaim. It was commercially successful, grossing ₹1.3 billion worldwide. The film won 14 awards from 33 nominations; its direction, story, screenplay, performances of the cast members, music, choreography and stunt direction have received the most attention from award groups. (Full article...)
  • Image 4 Vidya at the 63rd Filmfare Awards, 2018 Vidya Balan is an Indian actress who appears primarily in Hindi films. She has received several awards, including a National Film Award, seven Filmfare Awards, six Screen Awards, four International Indian Film Academy Awards, and five awards each from the Producers Guild and Zee Cine award ceremonies. Vidya made her debut in 2003 with a leading role in the Bengali film Bhalo Theko, for which she won the Anandalok Award for Best Actress. In 2005, she had her first Bollywood release with the musical drama Parineeta, which garnered her a Best Female Debut award and a Best Actress nomination at the Filmfare Awards ceremony. For the role of a radio jockey in the 2006 horror comedy film Lage Raho Munna Bhai, she was nominated for the IIFA Award for Best Actress. In 2007, Vidya featured in five films. She portrayed a woman suffering from multiple sclerosis in the semi-biographical drama Guru and a dissociative identity disorder patient in the psychological thriller Bhool Bhulaiyaa. For the latter, she was nominated for a Filmfare Award for Best Actress. (Full article...)

    Vidya at the 63rd Filmfare Awards, 2018

    Vidya Balan is an Indian actress who appears primarily in Hindi films. She has received several awards, including a National Film Award, seven Filmfare Awards, six Screen Awards, four International Indian Film Academy Awards, and five awards each from the Producers Guild and Zee Cine award ceremonies.

    Vidya made her debut in 2003 with a leading role in the Bengali film Bhalo Theko, for which she won the Anandalok Award for Best Actress. In 2005, she had her first Bollywood release with the musical drama Parineeta, which garnered her a Best Female Debut award and a Best Actress nomination at the Filmfare Awards ceremony. For the role of a radio jockey in the 2006 horror comedy film Lage Raho Munna Bhai, she was nominated for the IIFA Award for Best Actress. In 2007, Vidya featured in five films. She portrayed a woman suffering from multiple sclerosis in the semi-biographical drama Guru and a dissociative identity disorder patient in the psychological thriller Bhool Bhulaiyaa. For the latter, she was nominated for a Filmfare Award for Best Actress. (Full article...)
  • Image 5 Rahul Dravid during the Australian tour of India in 2004 Rahul Dravid is a retired Indian international cricketer. in both Test and One Day International (ODI) cricket in matches organised by the International Cricket Council (ICC). Nicknamed "The Wall" for his ability of "... fending off the fiercest, the fastest and the wiliest of bowlers around the world", he scored 36 centuries (scores of 100 runs or more) in Test cricket and 12 in One Day Internationals (ODI) between his debut in 1996 and retirement in 2011. He was named as one of the five Wisden Cricketers of the Year in 2000, as well as the ICC Test Player of the Year and ICC Player of the Year in 2004. Dravid scored his first Test century in January 1997 against South Africa. In a man-of-the-match performance, he made 148 runs spanning nine hours and took India to their only draw of the series. He made centuries in both innings of a match when he scored 190 and 103 not out in the final Test of the 1998–99 series against New Zealand. He repeated the feat in March 2005 when he scored 110 and 135 against Pakistan in another man-of-the-match performance, leading India to victory in the second of the three-match series. Scoring 180 in a fifth-wicket partnership of 376 with VVS Laxman, in the Second Test of the Border-Gavaskar Trophy in 2001, Dravid helped lead India to victory by 171 runs despite being asked to follow-on by the Australians. His partnership with Laxman was the third-highest for the fifth wicket in Test cricket history. Dravid's highest Test score of 270, achieved in April 2004 in Rawalpindi, helped India to an innings victory against Pakistan. The performance was the fourth-highest score by an Indian batsman in Test cricket. He scored centuries against all Test playing nations and was the first cricketer to score centuries in all 10 Test playing nations. (Full article...)
    A male, dark-skinned cricketer in a white short-sleeved shirt and dark blue baseball cap with sunglasses on the peak of the cap. He is standing high up in a cricket stand with a large number of spectators in the background.
    Rahul Dravid during the Australian tour of India in 2004

    Rahul Dravid is a retired Indian international cricketer. in both Test and One Day International (ODI) cricket in matches organised by the International Cricket Council (ICC). Nicknamed "The Wall" for his ability of "... fending off the fiercest, the fastest and the wiliest of bowlers around the world", he scored 36 centuries (scores of 100 runs or more) in Test cricket and 12 in One Day Internationals (ODI) between his debut in 1996 and retirement in 2011. He was named as one of the five Wisden Cricketers of the Year in 2000, as well as the ICC Test Player of the Year and ICC Player of the Year in 2004.

    Dravid scored his first Test century in January 1997 against South Africa. In a man-of-the-match performance, he made 148 runs spanning nine hours and took India to their only draw of the series. He made centuries in both innings of a match when he scored 190 and 103 not out in the final Test of the 1998–99 series against New Zealand. He repeated the feat in March 2005 when he scored 110 and 135 against Pakistan in another man-of-the-match performance, leading India to victory in the second of the three-match series. Scoring 180 in a fifth-wicket partnership of 376 with VVS Laxman, in the Second Test of the Border-Gavaskar Trophy in 2001, Dravid helped lead India to victory by 171 runs despite being asked to follow-on by the Australians. His partnership with Laxman was the third-highest for the fifth wicket in Test cricket history. Dravid's highest Test score of 270, achieved in April 2004 in Rawalpindi, helped India to an innings victory against Pakistan. The performance was the fourth-highest score by an Indian batsman in Test cricket. He scored centuries against all Test playing nations and was the first cricketer to score centuries in all 10 Test playing nations. (Full article...)
  • Image 6 The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of recipient, whose award have been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register; none of the conferments of Padma Bhushan during 1970–1979 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16-inch (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)

    The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of recipient, whose award have been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register; none of the conferments of Padma Bhushan during 1970–1979 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals.

    When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16-inch (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)
  • Image 7 The Pampa Award (or Pampa Prashasti) is a literary award in the Indian state of Karnataka. The award was established in 1987 by the government of Karnataka. It is the highest literary honor conferred by the Department of Kannada and Culture, Government of Karnataka State, and recognises works written in the Kannada language (1 of the 22 official languages of India). The award is named after the first Kannada poet Adikavi Pampa. The award originally comprised a cash prize of ₹1 lakh (US$1,100), a shawl, a citation and a memento. The cash prize was increased to ₹3 lakh (US$3,400) in 2008. Prior to 1996, the awards were given for a best single work by a Kannada writer. Since then, the award has been given to writers for their lifetime contribution to the Kannada literature. The Pampa Prashasti is presented by the Chief Minister, during the Kadambotsava, a cultural festival held annually in Pampa's hometown of Banavasi in Uttara Kannada district. (Full article...)
    The Pampa Award (or Pampa Prashasti) is a literary award in the Indian state of Karnataka. The award was established in 1987 by the government of Karnataka. It is the highest literary honor conferred by the Department of Kannada and Culture, Government of Karnataka State, and recognises works written in the Kannada language (1 of the 22 official languages of India).

    The award is named after the first Kannada poet Adikavi Pampa. The award originally comprised a cash prize of ₹1 lakh (US$1,100), a shawl, a citation and a memento. The cash prize was increased to ₹3 lakh (US$3,400) in 2008. Prior to 1996, the awards were given for a best single work by a Kannada writer. Since then, the award has been given to writers for their lifetime contribution to the Kannada literature. The Pampa Prashasti is presented by the Chief Minister, during the Kadambotsava, a cultural festival held annually in Pampa's hometown of Banavasi in Uttara Kannada district. (Full article...)
  • Image 8 Asin in 2012 Asin is a former Indian actress who is known for her work in Tamil, Telugu and Hindi language films. She made her acting debut at the age of 15 in the Malayalam-language satirical comedy-drama Narendran Makan Jayakanthan Vaka in 2001. Asin had her first commercial success with the Telugu film Amma Nanna O Tamila Ammayi (2003). For her performance as a Tamil girl in the film, she received the Filmfare Best Telugu Actress Award. In the same year she won the Santosham Best Actress Award for her role in Telugu film Sivamani. In her next two Telugu releases: Lakshmi Narasimha (2004) and Gharshana (2004), Asin played the love interest of a police officer. Lakshmi Narasimha was a commercial success, while Gharshana received mixed reviews from critics but later gained a cult following. She made her debut in Tamil cinema in the 2004 sports drama M. Kumaran Son of Mahalakshmi, a commercial success. The 2005 action thriller Ghajini marked a turning point in her career. Her role as a vivacious young model named Kalpana won her the Filmfare Best Tamil Actress Award. This led to a series of lead roles in commercially successful films, including the action film Sivakasi (2005), the thriller Varalaru (2006), the action thriller Pokkiri (2007), the action drama Vel (2008) and the science fiction film Dasavathaaram (2008), which established her as a leading actress of Tamil cinema. (Full article...)
    A photograph of Asin at a wedding
    Asin in 2012

    Asin is a former Indian actress who is known for her work in Tamil, Telugu and Hindi language films. She made her acting debut at the age of 15 in the Malayalam-language satirical comedy-drama Narendran Makan Jayakanthan Vaka in 2001. Asin had her first commercial success with the Telugu film Amma Nanna O Tamila Ammayi (2003). For her performance as a Tamil girl in the film, she received the Filmfare Best Telugu Actress Award. In the same year she won the Santosham Best Actress Award for her role in Telugu film Sivamani. In her next two Telugu releases: Lakshmi Narasimha (2004) and Gharshana (2004), Asin played the love interest of a police officer. Lakshmi Narasimha was a commercial success, while Gharshana received mixed reviews from critics but later gained a cult following.

    She made her debut in Tamil cinema in the 2004 sports drama M. Kumaran Son of Mahalakshmi, a commercial success. The 2005 action thriller Ghajini marked a turning point in her career. Her role as a vivacious young model named Kalpana won her the Filmfare Best Tamil Actress Award. This led to a series of lead roles in commercially successful films, including the action film Sivakasi (2005), the thriller Varalaru (2006), the action thriller Pokkiri (2007), the action drama Vel (2008) and the science fiction film Dasavathaaram (2008), which established her as a leading actress of Tamil cinema. (Full article...)
  • Image 9 The high courts of India are the highest courts of appellate jurisdiction in each state and union territory of India. However, a high court exercises its original civil and criminal jurisdiction only if the subordinate courts are not authorized by law to try such matters for lack of peculiar or territorial jurisdiction. High courts may also enjoy original jurisdiction in certain matters, if so designated, especially by the constitution, a state law or union law. The work of most high courts primarily consists of appeals from lower courts and writ petitions in terms of Articles 226 and 227 of the Constitution. Writ jurisdiction is also the original jurisdiction of a high court. (Full article...)
    The high courts of India are the highest courts of appellate jurisdiction in each state and union territory of India. However, a high court exercises its original civil and criminal jurisdiction only if the subordinate courts are not authorized by law to try such matters for lack of peculiar or territorial jurisdiction. High courts may also enjoy original jurisdiction in certain matters, if so designated, especially by the constitution, a state law or union law.

    The work of most high courts primarily consists of appeals from lower courts and writ petitions in terms of Articles 226 and 227 of the Constitution. Writ jurisdiction is also the original jurisdiction of a high court. (Full article...)
  • Image 10 Devgn at an event for his film Drishyam in 2015 Ajay Devgn is an Indian actor, director and producer who works in Hindi films. He debuted as an actor in Phool Aur Kaante (1991), which won him the Filmfare Award for Best Male Debut. Devgn then played a kickboxer in the martial arts film Jigar (1992) and a blind in Vijaypath (1994) and starred in Suhaag (1994), Dilwale (1994), Diljale (1996), Jaan (1996), Ishq (1997), Pyaar To Hona Hi Tha (1998), and Hum Dil De Chuke Sanam (1999). He garnered Filmfare Best Actor nominations for Naajayaz and Hum Dil De Chuke Sanam and also won his first National Film Award for Best Actor for his performance in Zakhm (1998). In 2000, Devgn started Ajay Devgn FFilms, producing and headlining the commercially unsuccessful Raju Chacha. He received a Filmfare Best Supporting Actor nomination for enacting a dacoit in the ensemble film Lajja (2001). 2002 proved to be a banner year for Devgn as he received universal acclaim for his performances in Company, The Legend of Bhagat Singh and Deewangee. He won his second National Award for portraying revolutionary Bhagat Singh in The Legend of Bhagat Singh and the Filmfare Critics Award for Best Actor for it and Company, along with a Filmfare Best Villain Award for Deewangee. In 2003, he acted in the Bhoot, a sleeper hit, and played a police officer in Gangaajal, which earned him another Filmfare Best Actor nomination. He was next featured in Yuva (2004), Kaal (2005), and Omkara (2006). Rohit Shetty's Golmaal series established Devgn in comic roles, producing Golmaal (2006), Golmaal Returns (2008) and Golmaal 3 (2010). However Devgn was highly panned for Aag (2007), based on the 1975 cult classic Sholay. Today, it is considered one of the worst films. In 2008, he made his directorial debut with his own production U Me Aur Hum. 2010 proved to be a milestone year for him as he delivered his first 100 Crore Club film with Golmaal 3 and received positive feedback for the top-grossing films Raajneeti and Once Upon a Time in Mumbaai. The latter fetched him a Filmfare Best Actor nomination, as like his next Singham (2011), the first part of Shetty's Cop Universe, which was later reprised in Singham Returns (2014) and briefly in other standalone films of the universe, culminating in Singham Again (2024). (Full article...)
    Photograph of Ajay Devgn
    Devgn at an event for his film Drishyam in 2015

    Ajay Devgn is an Indian actor, director and producer who works in Hindi films. He debuted as an actor in Phool Aur Kaante (1991), which won him the Filmfare Award for Best Male Debut. Devgn then played a kickboxer in the martial arts film Jigar (1992) and a blind in Vijaypath (1994) and starred in Suhaag (1994), Dilwale (1994), Diljale (1996), Jaan (1996), Ishq (1997), Pyaar To Hona Hi Tha (1998), and Hum Dil De Chuke Sanam (1999). He garnered Filmfare Best Actor nominations for Naajayaz and Hum Dil De Chuke Sanam and also won his first National Film Award for Best Actor for his performance in Zakhm (1998). In 2000, Devgn started Ajay Devgn FFilms, producing and headlining the commercially unsuccessful Raju Chacha. He received a Filmfare Best Supporting Actor nomination for enacting a dacoit in the ensemble film Lajja (2001).

    2002 proved to be a banner year for Devgn as he received universal acclaim for his performances in Company, The Legend of Bhagat Singh and Deewangee. He won his second National Award for portraying revolutionary Bhagat Singh in The Legend of Bhagat Singh and the Filmfare Critics Award for Best Actor for it and Company, along with a Filmfare Best Villain Award for Deewangee. In 2003, he acted in the Bhoot, a sleeper hit, and played a police officer in Gangaajal, which earned him another Filmfare Best Actor nomination. He was next featured in Yuva (2004), Kaal (2005), and Omkara (2006). Rohit Shetty's Golmaal series established Devgn in comic roles, producing Golmaal (2006), Golmaal Returns (2008) and Golmaal 3 (2010). However Devgn was highly panned for Aag (2007), based on the 1975 cult classic Sholay. Today, it is considered one of the worst films. In 2008, he made his directorial debut with his own production U Me Aur Hum. 2010 proved to be a milestone year for him as he delivered his first 100 Crore Club film with Golmaal 3 and received positive feedback for the top-grossing films Raajneeti and Once Upon a Time in Mumbaai. The latter fetched him a Filmfare Best Actor nomination, as like his next Singham (2011), the first part of Shetty's Cop Universe, which was later reprised in Singham Returns (2014) and briefly in other standalone films of the universe, culminating in Singham Again (2024). (Full article...)
  • Image 11 Kangana Ranaut's performance in Queen garnered her several awards and nominations including the National Film Award for Best Actress at the 62nd National Film Awards. Queen is a 2013 Indian comedy-drama film directed by Vikas Bahl and produced by Anurag Kashyap and Vikramaditya Motwane. The film stars Kangana Ranaut in the lead role, and features Rajkummar Rao and Lisa Haydon in supporting roles. The film was edited by Abhijit Kokate and Kashyap, and the cinematography was provided by Bobby Singh. Amit Trivedi composed the musical score for the film. Queen tells the story of Rani, an under-confident woman, who embarks on her honeymoon alone after her fiancé calls off their wedding. Made on a budget of ₹125 million (US$1.4 million), Queen was released on 7 March 2014, and grossed ₹970 million (US$11 million) worldwide. The film garnered awards and nominations in several categories, with particular praise for its direction, performance of Ranaut, cinematography, and editing. As of June 2015, the film has won 32 awards. (Full article...)
    Kangana Ranaut's performance in Queen garnered her several awards and nominations including the National Film Award for Best Actress at the 62nd National Film Awards.


    Queen is a 2013 Indian comedy-drama film directed by Vikas Bahl and produced by Anurag Kashyap and Vikramaditya Motwane. The film stars Kangana Ranaut in the lead role, and features Rajkummar Rao and Lisa Haydon in supporting roles. The film was edited by Abhijit Kokate and Kashyap, and the cinematography was provided by Bobby Singh. Amit Trivedi composed the musical score for the film. Queen tells the story of Rani, an under-confident woman, who embarks on her honeymoon alone after her fiancé calls off their wedding.

    Made on a budget of ₹125 million (US$1.4 million), Queen was released on 7 March 2014, and grossed ₹970 million (US$11 million) worldwide. The film garnered awards and nominations in several categories, with particular praise for its direction, performance of Ranaut, cinematography, and editing. As of June 2015, the film has won 32 awards. (Full article...)
  • Image 12 Kapoor at the 2017 IIFA Awards Indian actor Shahid Kapoor began his career as a background dancer, making uncredited appearances in the films Dil To Pagal Hai (1997) and Taal (1999). He also appeared in several music videos, including one for the singer Kumar Sanu, before making his acting debut with a lead role in Ken Ghosh's romantic comedy Ishq Vishk (2003). The film was a sleeper hit, and Kapoor's portrayal of a teenage student earned him the Filmfare Award for Best Male Debut. He found little success in the next two years; all five of his releases, including the thriller Fida (2004) and the drama Shikhar (2005), were commercial failures. In 2006, Kapoor starred opposite Kareena Kapoor in 36 China Town and Chup Chup Ke, and played a prospective groom opposite Amrita Rao in Vivah, a commercially successful family drama from director Sooraj Barjatya. In the following year, he reunited with Kareena Kapoor in the romantic comedy Jab We Met, for which he received his first Best Actor nomination at Filmfare. In 2009, Kapoor portrayed twin brothers, one with a lisp and the other with a stutter, in Vishal Bhardwaj's critically acclaimed thriller Kaminey. He then appeared in a series of films which performed poorly at the box-office, including Mausam (2011) and Teri Meri Kahaani (2012). The 2013 action-drama R... Rajkumar proved to be his first commercial success in four years. (Full article...)
    Shahid Kapoor is looking away from the camera.
    Kapoor at the 2017 IIFA Awards


    Indian actor Shahid Kapoor began his career as a background dancer, making uncredited appearances in the films Dil To Pagal Hai (1997) and Taal (1999). He also appeared in several music videos, including one for the singer Kumar Sanu, before making his acting debut with a lead role in Ken Ghosh's romantic comedy Ishq Vishk (2003). The film was a sleeper hit, and Kapoor's portrayal of a teenage student earned him the Filmfare Award for Best Male Debut. He found little success in the next two years; all five of his releases, including the thriller Fida (2004) and the drama Shikhar (2005), were commercial failures.

    In 2006, Kapoor starred opposite Kareena Kapoor in 36 China Town and Chup Chup Ke, and played a prospective groom opposite Amrita Rao in Vivah, a commercially successful family drama from director Sooraj Barjatya. In the following year, he reunited with Kareena Kapoor in the romantic comedy Jab We Met, for which he received his first Best Actor nomination at Filmfare. In 2009, Kapoor portrayed twin brothers, one with a lisp and the other with a stutter, in Vishal Bhardwaj's critically acclaimed thriller Kaminey. He then appeared in a series of films which performed poorly at the box-office, including Mausam (2011) and Teri Meri Kahaani (2012). The 2013 action-drama R... Rajkumar proved to be his first commercial success in four years. (Full article...)
  • Image 13 Sachin Tendulkar has scored more centuries in Test cricket than any other player. Sachin Tendulkar played for India, widely acknowledged as one of the greatest batsmen of all time, he is the most prolific run-scorer in international cricket. Tendulkar has scored the highest number of centuries (100 or more runs) in Test matches and One Day International (ODI) matches organised by the International Cricket Council. His total of 51 centuries in Test matches is a world record for highest number of centuries by a batsman and his 49 centuries in ODI matches are the second highest number of centuries after Virat Kohli. He became the first and only cricketer to score 100 international centuries when he made 114 against Bangladesh in March 2012. After making his Test debut in 1989, Tendulkar achieved his first century against England at Old Trafford, Manchester in 1990; he made 119 not out. In Test matches, Tendulkar has scored centuries against all the Test cricket playing nations, and is the second batsman to score 150 against each of them. He has scored a century in at least one cricket ground of all Test cricket playing nations, except Zimbabwe. In October 2010, Tendulkar went past Brian Lara's record of 19 scores of 150 or more by hitting his 20th against Australia in Bangalore. He made his highest score in 2004, when he made 248 not out against Bangladesh at the Bangabandhu National Stadium, Dhaka. Tendulkar has scored six double centuries and remained unbeaten on 15 occasions. His centuries have come in 30 different cricket grounds, with 27 of them being scored in venues outside India. Tendulkar has been dismissed nine times between scores of 90 and 99. (Full article...)
    Sachin Tendulkar has scored more centuries in Test cricket than any other player.

    Sachin Tendulkar played for India, widely acknowledged as one of the greatest batsmen of all time, he is the most prolific run-scorer in international cricket. Tendulkar has scored the highest number of centuries (100 or more runs) in Test matches and One Day International (ODI) matches organised by the International Cricket Council. His total of 51 centuries in Test matches is a world record for highest number of centuries by a batsman and his 49 centuries in ODI matches are the second highest number of centuries after Virat Kohli. He became the first and only cricketer to score 100 international centuries when he made 114 against Bangladesh in March 2012.

    After making his Test debut in 1989, Tendulkar achieved his first century against England at Old Trafford, Manchester in 1990; he made 119 not out. In Test matches, Tendulkar has scored centuries against all the Test cricket playing nations, and is the second batsman to score 150 against each of them. He has scored a century in at least one cricket ground of all Test cricket playing nations, except Zimbabwe. In October 2010, Tendulkar went past Brian Lara's record of 19 scores of 150 or more by hitting his 20th against Australia in Bangalore. He made his highest score in 2004, when he made 248 not out against Bangladesh at the Bangabandhu National Stadium, Dhaka. Tendulkar has scored six double centuries and remained unbeaten on 15 occasions. His centuries have come in 30 different cricket grounds, with 27 of them being scored in venues outside India. Tendulkar has been dismissed nine times between scores of 90 and 99. (Full article...)
  • Image 14 Rabindranath Tagore was the first person of Indian origin and also first Asian to be awarded with the Nobel Prize. He received the prize for Literature in 1913. The Nobel Prize is a set of annual international awards bestowed on "those who conferred the greatest benefit on humankind" in the fields of Physics, Chemistry, Physiology or Medicine, Literature, Peace and Economic Sciences, instituted by Alfred Nobel's last will, which specified that a part of his fortune be used to create the prizes. Each laureate (recipient) receives a gold medal, a diploma and a sum of money, which is decided annually by the Nobel Foundation. The Royal Swedish Academy of Sciences awards the Nobel Prize in Physics, the Nobel Prize in Chemistry and the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel; the Nobel Assembly at the Karolinska Institute awards the Nobel Prize in Physiology or Medicine; the Swedish Academy awards the Nobel Prize in Literature; and the Norwegian Nobel Committee awards the Nobel Peace Prize. They are widely recognised as one of the most prestigious honours awarded in the aforementioned fields. First instituted in 1901, the Nobel Prize has been awarded to a total of 989 individuals (930 men and 59 women) and 30 organisations as of 2022[update]. Among the recipients, 12 are Indians of which 5 are Indian citizens and 7 are of Indian ancestry or residency. Rabindranath Tagore was the first Indian citizen to be awarded and also first Asian to be awarded in 1913. Mother Teresa is the only woman among the list of recipients. Sri Aurobindo, the Indian poet, philosopher, nationalist and developer of Integral yoga, was nominated unsuccessfully for the Nobel Prize in Literature in 1943 and for the Nobel Peace Prize in 1950. (Full article...)
    Picture of Rabindranath Tagore, the first Indian Nobel Laureate.
    Rabindranath Tagore was the first person of Indian origin and also first Asian to be awarded with the Nobel Prize. He received the prize for Literature in 1913.

    The Nobel Prize is a set of annual international awards bestowed on "those who conferred the greatest benefit on humankind" in the fields of Physics, Chemistry, Physiology or Medicine, Literature, Peace and Economic Sciences, instituted by Alfred Nobel's last will, which specified that a part of his fortune be used to create the prizes. Each laureate (recipient) receives a gold medal, a diploma and a sum of money, which is decided annually by the Nobel Foundation. The Royal Swedish Academy of Sciences awards the Nobel Prize in Physics, the Nobel Prize in Chemistry and the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel; the Nobel Assembly at the Karolinska Institute awards the Nobel Prize in Physiology or Medicine; the Swedish Academy awards the Nobel Prize in Literature; and the Norwegian Nobel Committee awards the Nobel Peace Prize. They are widely recognised as one of the most prestigious honours awarded in the aforementioned fields.

    First instituted in 1901, the Nobel Prize has been awarded to a total of 989 individuals (930 men and 59 women) and 30 organisations as of 2022. Among the recipients, 12 are Indians of which 5 are Indian citizens and 7 are of Indian ancestry or residency. Rabindranath Tagore was the first Indian citizen to be awarded and also first Asian to be awarded in 1913. Mother Teresa is the only woman among the list of recipients. Sri Aurobindo, the Indian poet, philosopher, nationalist and developer of Integral yoga, was nominated unsuccessfully for the Nobel Prize in Literature in 1943 and for the Nobel Peace Prize in 1950. (Full article...)
  • Image 15 Sanjiv Khanna, the incumbent chief justice of India, since 11 November 2024 The chief justice of India is the highest-ranking officer of the Indian judiciary and the chief judge of the Supreme Court of India. As head of the Supreme Court, the chief justice is responsible for the allocation of cases and appointment of constitutional benches which deal with important matters of law. In accordance with Article 145 of the Constitution of India and the Supreme Court Rules of Procedure of 1966, the chief justice allocates all work to the other judges. A new chief justice is appointed by the president of India with recommendations by the outgoing chief justice in consultation with other judges. The chief justice serves in the role until they reach the age of sixty-five or are removed by the constitutional process of impeachment. As per convention, the name suggested by the incumbent chief justice is almost always the next senior-most judge in the Supreme Court. This convention has been broken twice: in 1973, Justice A. N. Ray was appointed superseding three senior judges and in 1977, Justice Mirza Hameedullah Beg was appointed as the chief justice superseding Justice Hans Raj Khanna. (Full article...)
    Sanjiv Khanna
    Sanjiv Khanna, the incumbent chief justice of India, since 11 November 2024

    The chief justice of India is the highest-ranking officer of the Indian judiciary and the chief judge of the Supreme Court of India. As head of the Supreme Court, the chief justice is responsible for the allocation of cases and appointment of constitutional benches which deal with important matters of law. In accordance with Article 145 of the Constitution of India and the Supreme Court Rules of Procedure of 1966, the chief justice allocates all work to the other judges.

    A new chief justice is appointed by the president of India with recommendations by the outgoing chief justice in consultation with other judges. The chief justice serves in the role until they reach the age of sixty-five or are removed by the constitutional process of impeachment. As per convention, the name suggested by the incumbent chief justice is almost always the next senior-most judge in the Supreme Court. This convention has been broken twice: in 1973, Justice A. N. Ray was appointed superseding three senior judges and in 1977, Justice Mirza Hameedullah Beg was appointed as the chief justice superseding Justice Hans Raj Khanna. (Full article...)
  • Image 16 The prime minister of India is the chief executive of the Government of India and chair of the Union Council of Ministers. Although the president of India is the constitutional, nominal, and ceremonial head of state, in practice and ordinarily, the executive authority is vested in the prime minister and their chosen Council of Ministers. The prime minister is the leader elected by the party with a majority in the lower house of the Indian parliament, the Lok Sabha, which is the main legislative body in the Republic of India. The prime minister and their cabinet are at all times responsible to the Lok Sabha. The prime minister can be a member of the Lok Sabha or of the Rajya Sabha, the upper house of the parliament. The prime minister ranks third in the order of precedence. The prime minister is appointed by the president of India; however, the prime minister has to enjoy the confidence of the majority of Lok Sabha members, who are directly elected every five years, unless a prime minister resigns. The prime minister is the presiding member of the Council of Ministers of the Union government. The prime minister unilaterally controls the selection and dismissal of members of the council; and allocation of posts to members within the government. This council, which is collectively responsible to the Lok Sabha as per Article 75(3), assists the president regarding the operations under the latter's powers; however, by the virtue of Article 74 of the Constitution, such 'aid and advice' tendered by the council is binding. (Full article...)
    The prime minister of India is the chief executive of the Government of India and chair of the Union Council of Ministers. Although the president of India is the constitutional, nominal, and ceremonial head of state, in practice and ordinarily, the executive authority is vested in the prime minister and their chosen Council of Ministers. The prime minister is the leader elected by the party with a majority in the lower house of the Indian parliament, the Lok Sabha, which is the main legislative body in the Republic of India. The prime minister and their cabinet are at all times responsible to the Lok Sabha. The prime minister can be a member of the Lok Sabha or of the Rajya Sabha, the upper house of the parliament. The prime minister ranks third in the order of precedence.
    The prime minister is appointed by the president of India; however, the prime minister has to enjoy the confidence of the majority of Lok Sabha members, who are directly elected every five years, unless a prime minister resigns. The prime minister is the presiding member of the Council of Ministers of the Union government. The prime minister unilaterally controls the selection and dismissal of members of the council; and allocation of posts to members within the government. This council, which is collectively responsible to the Lok Sabha as per Article 75(3), assists the president regarding the operations under the latter's powers; however, by the virtue of Article 74 of the Constitution, such 'aid and advice' tendered by the council is binding. (Full article...)
  • Image 17 The Victoria Cross The Victoria Cross (VC) was awarded to 153 members of the British Indian Army and civilians under its command, from 1857 until independence in 1947. The Victoria Cross is a military decoration awarded for valour "in the face of the enemy" to members of armed forces of some Commonwealth countries and previous British Empire territories. It takes precedence over all other Orders, decorations and medals. It may be awarded to a person of any rank in any service and to civilians under military command. The VC is traditionally presented to the recipient by the British monarch during an investiture at Buckingham Palace, though in a large number of cases this was not possible and it was presented in the field by a prominent civil or military official. The VC was introduced in Great Britain on 29 January 1856 by Queen Victoria to reward acts of valour during the Crimean War. Indian troops were not originally eligible for the VC, because since 1837 they had been eligible for the Indian Order of Merit—the oldest British gallantry award for general issue. When the VC was created, Indian troops were still controlled by the British East India Company, and did not come under Crown control until 1860. European officers and men serving with the East India Company were not eligible for the Indian Order of Merit; the VC was extended to cover them in October 1857. It was only at the end of the 19th century that calls for Indian troops to be awarded the VC intensified. Indian troops became eligible for the award in 1911. The first awards to Indian troops appeared in The London Gazette on 7 December 1914 to Darwan Singh Negi and Khudadad Khan, whose gallantry on 31 October 1914 was nearly a month earlier than Negi's gallantry on 24/25 November. Negi was presented with the VC by King George V two days earlier, on 5 December 1914, during a visit to troops in France. He is one of a small number of soldiers presented with his award before it appeared in the London Gazette. (Full article...)
    A medal in the shape of a cross hanging from a crimson red ribbon.
    The Victoria Cross


    The Victoria Cross (VC) was awarded to 153 members of the British Indian Army and civilians under its command, from 1857 until independence in 1947. The Victoria Cross is a military decoration awarded for valour "in the face of the enemy" to members of armed forces of some Commonwealth countries and previous British Empire territories. It takes precedence over all other Orders, decorations and medals. It may be awarded to a person of any rank in any service and to civilians under military command. The VC is traditionally presented to the recipient by the British monarch during an investiture at Buckingham Palace, though in a large number of cases this was not possible and it was presented in the field by a prominent civil or military official. The VC was introduced in Great Britain on 29 January 1856 by Queen Victoria to reward acts of valour during the Crimean War.

    Indian troops were not originally eligible for the VC, because since 1837 they had been eligible for the Indian Order of Merit—the oldest British gallantry award for general issue. When the VC was created, Indian troops were still controlled by the British East India Company, and did not come under Crown control until 1860. European officers and men serving with the East India Company were not eligible for the Indian Order of Merit; the VC was extended to cover them in October 1857. It was only at the end of the 19th century that calls for Indian troops to be awarded the VC intensified. Indian troops became eligible for the award in 1911. The first awards to Indian troops appeared in The London Gazette on 7 December 1914 to Darwan Singh Negi and Khudadad Khan, whose gallantry on 31 October 1914 was nearly a month earlier than Negi's gallantry on 24/25 November. Negi was presented with the VC by King George V two days earlier, on 5 December 1914, during a visit to troops in France. He is one of a small number of soldiers presented with his award before it appeared in the London Gazette. (Full article...)
  • Image 18 Khan in 2017 Indian actor Aamir Khan first appeared on screen at the age of eight in a minor role in his uncle Nasir Hussain's film Yaadon Ki Baaraat (1973). In 1983, he acted in and worked as an assistant director on Paranoia, a short film directed by Aditya Bhattacharya, following which he assisted Hussain on two of his directorial ventures—Manzil Manzil (1984) and Zabardast (1985). As an adult, Khan's first acting project was a brief role in the 1984 experimental social drama Holi. Khan's first leading role came opposite Juhi Chawla in the highly successful tragic romance Qayamat Se Qayamat Tak (1988). His performance in the film and in the thriller Raakh (1989) earned him a National Film Award – Special Mention. He went on to establish himself with roles in several lucrative films of the 1990s, including the romantic drama Dil (1990), the comedy-drama Hum Hain Rahi Pyar Ke (1993), and the romance Raja Hindustani (1996). He also played against type in the Deepa Mehta-directed Canadian-Indian co-production Earth (1998). In 1999, Khan launched a production company, Aamir Khan Productions, whose first release Lagaan (2001) was nominated for the Academy Award for Best Foreign Language Film, and earned him the National Film Award for Best Popular Film. Also in 2001, he starred alongside Saif Ali Khan and Akshaye Khanna in the acclaimed coming-of-age drama Dil Chahta Hai. Lagaan and Dil Chahta Hai are cited in the media as defining films of Hindi cinema. After a three-year hiatus, Khan portrayed the eponymous lead in Mangal Pandey: The Rising (2005), a period film that underperformed at the box office, after which he played leading roles in two top-grossing films of 2006—Fanaa and Rang De Basanti. (Full article...)
    Khan in 2017

    Indian actor Aamir Khan first appeared on screen at the age of eight in a minor role in his uncle Nasir Hussain's film Yaadon Ki Baaraat (1973). In 1983, he acted in and worked as an assistant director on Paranoia, a short film directed by Aditya Bhattacharya, following which he assisted Hussain on two of his directorial ventures—Manzil Manzil (1984) and Zabardast (1985). As an adult, Khan's first acting project was a brief role in the 1984 experimental social drama Holi.

    Khan's first leading role came opposite Juhi Chawla in the highly successful tragic romance Qayamat Se Qayamat Tak (1988). His performance in the film and in the thriller Raakh (1989) earned him a National Film Award – Special Mention. He went on to establish himself with roles in several lucrative films of the 1990s, including the romantic drama Dil (1990), the comedy-drama Hum Hain Rahi Pyar Ke (1993), and the romance Raja Hindustani (1996). He also played against type in the Deepa Mehta-directed Canadian-Indian co-production Earth (1998). In 1999, Khan launched a production company, Aamir Khan Productions, whose first release Lagaan (2001) was nominated for the Academy Award for Best Foreign Language Film, and earned him the National Film Award for Best Popular Film. Also in 2001, he starred alongside Saif Ali Khan and Akshaye Khanna in the acclaimed coming-of-age drama Dil Chahta Hai. Lagaan and Dil Chahta Hai are cited in the media as defining films of Hindi cinema. After a three-year hiatus, Khan portrayed the eponymous lead in Mangal Pandey: The Rising (2005), a period film that underperformed at the box office, after which he played leading roles in two top-grossing films of 2006—Fanaa and Rang De Basanti. (Full article...)
  • Image 19 The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India, a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The names of recipients whose awards have been revoked or restored, both of which require the authority of the President, are archived, and recipients who are struck from the register are required to surrender their medals; none of the conferments of Padma Bhushan during 1990–1999 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)

    The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India, a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The names of recipients whose awards have been revoked or restored, both of which require the authority of the President, are archived, and recipients who are struck from the register are required to surrender their medals; none of the conferments of Padma Bhushan during 1990–1999 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals.

    When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)
  • Image 20 Members of the Indian cricket team before a Women's World Twenty20 game in Sydney, 2009 The India women's national cricket team represents India in international women's cricket. A full member of the International Cricket Council (ICC), the team is governed by the Board of Control for Cricket in India (BCCI). The India women's national cricket team first competed in 1976 when they played the West Indies in a six-match Test series at home. They recorded their first victory in the fourth match held at the Moin-ul-Haq Stadium, Patna; however, a loss in the sixth match led to the series being tied. India secured their first overseas victory in a one-off series against South Africa in 2002. As of October 2022[update], they have played 38 Test matches against five different opponents—Australia, England, South Africa, New Zealand and the West Indies. In terms of victories, they have been most successful against England and South Africa with two wins against each of them. India played their first Women's One Day International cricket (WODI) match against England in the 1978 World Cup, which they hosted. They finished at the bottom of the table as they lost the remaining two games of the group stage. In the 1982 World Cup, they won their first ever WODI match when they beat the International XI by 79 runs at McLean Park, Napier. India's first overseas WODI series win came at the 1994–95 New Zealand Women's Centenary Tournament. They won the WODI series during their tour 1999 of England. They were the runner-up at the 2005 and the 2017 World Cup tournaments. As of October 2022[update], they have played 301 WODIs against twelve different opponents, and have the fourth highest number of victories (164) for any team in the format; They have recorded 81 wins and have been the fifth most successful team in the T20 format. Since their first Women's Twenty20 International (WT20I) against England in August 2006, India have played 151 matches. They have been most successful against Bangladesh with eleven wins against them. They were among the semi-finalists in the 2009 and 2010 ICC Women's World Twenty20 tournaments. (Full article...)
    Eight female cricketers stand on a field. Two players are in red practice jerseys; three other players in red jerseys are facing toward them; a player in a blue shirt is facing away and hides another player in a blue game shirt. In the upper left corner is a fan with an Indian flag
    Members of the Indian cricket team before a Women's World Twenty20 game in Sydney, 2009


    The India women's national cricket team represents India in international women's cricket. A full member of the International Cricket Council (ICC), the team is governed by the Board of Control for Cricket in India (BCCI). The India women's national cricket team first competed in 1976 when they played the West Indies in a six-match Test series at home. They recorded their first victory in the fourth match held at the Moin-ul-Haq Stadium, Patna; however, a loss in the sixth match led to the series being tied. India secured their first overseas victory in a one-off series against South Africa in 2002. As of October 2022, they have played 38 Test matches against five different opponents—Australia, England, South Africa, New Zealand and the West Indies. In terms of victories, they have been most successful against England and South Africa with two wins against each of them.

    India played their first Women's One Day International cricket (WODI) match against England in the 1978 World Cup, which they hosted. They finished at the bottom of the table as they lost the remaining two games of the group stage. In the 1982 World Cup, they won their first ever WODI match when they beat the International XI by 79 runs at McLean Park, Napier. India's first overseas WODI series win came at the 1994–95 New Zealand Women's Centenary Tournament. They won the WODI series during their tour 1999 of England. They were the runner-up at the 2005 and the 2017 World Cup tournaments. As of October 2022, they have played 301 WODIs against twelve different opponents, and have the fourth highest number of victories (164) for any team in the format; They have recorded 81 wins and have been the fifth most successful team in the T20 format. Since their first Women's Twenty20 International (WT20I) against England in August 2006, India have played 151 matches. They have been most successful against Bangladesh with eleven wins against them. They were among the semi-finalists in the 2009 and 2010 ICC Women's World Twenty20 tournaments. (Full article...)
  • Image 21 James Faulkner is one of the only four bowlers to take multiple five-wicket hauls and the only to take multiple five-wicket hauls in the same season. In cricket, a five-wicket haul (also known as a "five-for" or "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement, especially in T20 cricket where a bowler can bowl a maximum of only 24 balls (4 overs). The Indian Premier League (IPL) is a professional Twenty20 cricket league in India, which has been held annually since its first season in 2008. So far, 34 five-wicket hauls have been taken by different bowlers, of which only two five-wicket hauls have been taken outside India. Players from twelve of the thirteen teams have taken five-wicket hauls; Kochi Tuskers Kerala is the only franchise for which a player has not taken a five-wicket haul. The first five-wicket haul was taken by Sohail Tanvir of the Rajasthan Royals against the Chennai Super Kings on 4 May 2008. He finished the game with 6 wickets. The most economical five-wicket haul was taken by Akash Madhwal of the Mumbai Indians, who claimed five wickets with an economy rate of 1.43 in the 2023 season. Yuzvendra Chahal of the Rajasthan Royals took the least economical five-wicket haul, 5/40 bowling with an economy rate of 10.00 in 2021. Anil Kumble is the oldest bowler to take a five-wicket haul, achieving the feat at the age of 38, while Jaydev Unadkat is the youngest, he was 21 when he took his first five-for in 2013. (Full article...)
    James Faulkner is one of the only four bowlers to take multiple five-wicket hauls and the only to take multiple five-wicket hauls in the same season.

    In cricket, a five-wicket haul (also known as a "five-for" or "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement, especially in T20 cricket where a bowler can bowl a maximum of only 24 balls (4 overs). The Indian Premier League (IPL) is a professional Twenty20 cricket league in India, which has been held annually since its first season in 2008. So far, 34 five-wicket hauls have been taken by different bowlers, of which only two five-wicket hauls have been taken outside India. Players from twelve of the thirteen teams have taken five-wicket hauls; Kochi Tuskers Kerala is the only franchise for which a player has not taken a five-wicket haul.
    The first five-wicket haul was taken by Sohail Tanvir of the Rajasthan Royals against the Chennai Super Kings on 4 May 2008. He finished the game with 6 wickets. The most economical five-wicket haul was taken by Akash Madhwal of the Mumbai Indians, who claimed five wickets with an economy rate of 1.43 in the 2023 season. Yuzvendra Chahal of the Rajasthan Royals took the least economical five-wicket haul, 5/40 bowling with an economy rate of 10.00 in 2021. Anil Kumble is the oldest bowler to take a five-wicket haul, achieving the feat at the age of 38, while Jaydev Unadkat is the youngest, he was 21 when he took his first five-for in 2013. (Full article...)
  • Image 22 India has submitted films for the Academy Award for Best International Feature Film (formerly Academy Award for Best Foreign Language Film) since 1957, a year after the incorporation of the category. The award is given annually by the United States Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue. The "Best Foreign Language Film" category was not created until 1956; however, between 1947 and 1955, the academy presented a non-competitive Honorary Award for the best foreign language films released in the United States. The Film Federation of India (FFI) appoints a committee to choose one film among those released that year to be submitted as India's official entry to the academy for a nomination for "Best Foreign Language Film" the following year. The chosen films, along with their English subtitles, are sent to the academy, where they are screened for the jury. The 1957 Hindi film Mother India was India's first submission. The film made it to the final shortlist and was nominated alongside four other films in the category. It came close to winning the Academy Award but lost to Nights of Cabiria by a single vote. Since 1984, India has not submitted a film on only one occasion; in 2003, the FFI controversially chose not make an entry as they felt no film would be in a position to compete with films from other nations. As of 2021[update], only three Indian films—Mother India (1957), Salaam Bombay! (1988) and Lagaan (2001)—have been nominated for the award. In 2011, the jury of the 58th National Film Awards made a recommendation that the Best Film winners at the annual National Film Awards be chosen as the official entry. (Full article...)

    India has submitted films for the Academy Award for Best International Feature Film (formerly Academy Award for Best Foreign Language Film) since 1957, a year after the incorporation of the category. The award is given annually by the United States Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue. The "Best Foreign Language Film" category was not created until 1956; however, between 1947 and 1955, the academy presented a non-competitive Honorary Award for the best foreign language films released in the United States.

    The Film Federation of India (FFI) appoints a committee to choose one film among those released that year to be submitted as India's official entry to the academy for a nomination for "Best Foreign Language Film" the following year. The chosen films, along with their English subtitles, are sent to the academy, where they are screened for the jury. The 1957 Hindi film Mother India was India's first submission. The film made it to the final shortlist and was nominated alongside four other films in the category. It came close to winning the Academy Award but lost to Nights of Cabiria by a single vote. Since 1984, India has not submitted a film on only one occasion; in 2003, the FFI controversially chose not make an entry as they felt no film would be in a position to compete with films from other nations. As of 2021, only three Indian films—Mother India (1957), Salaam Bombay! (1988) and Lagaan (2001)—have been nominated for the award. In 2011, the jury of the 58th National Film Awards made a recommendation that the Best Film winners at the annual National Film Awards be chosen as the official entry. (Full article...)
  • Image 23 India is a union consisting of 28 states and 8 union territories. As of 2024, with an estimated population of 1.484 billion, India is the world's most populous country. India occupies 2.4% of the world's area and is home to 17.5% of the world's population. The Indo-Gangetic Plain has one of the world's biggest stretches of fertile not-deep alluvium and are among the most densely populated areas of the world. The eastern and western coastal regions of Deccan Plateau are also densely populated regions of India. The Thar Desert in western Rajasthan is one of the most densely populated deserts in the world. The northern and north-eastern states along the Himalayas contain cold arid deserts with fertile valleys. These states have relatively low population density due to indomitable physical barriers. (Full article...)
    India is a union consisting of 28 states and 8 union territories. As of 2024, with an estimated population of 1.484 billion, India is the world's most populous country. India occupies 2.4% of the world's area and is home to 17.5% of the world's population. The Indo-Gangetic Plain has one of the world's biggest stretches of fertile not-deep alluvium and are among the most densely populated areas of the world. The eastern and western coastal regions of Deccan Plateau are also densely populated regions of India. The Thar Desert in western Rajasthan is one of the most densely populated deserts in the world. The northern and north-eastern states along the Himalayas contain cold arid deserts with fertile valleys. These states have relatively low population density due to indomitable physical barriers. (Full article...)
  • Image 24 The 2022 recipient: Pavan Malhotra The National Film Award for Best Actor in a Supporting Role is an honour presented annually at India's National Film Awards ceremony by the National Film Development Corporation of India (NFDC), an organisation set up by the Indian Ministry of Information and Broadcasting. A national panel appointed annually by the NFDC selects the actor who has given the best performance in a supporting role within Indian cinema. The award is presented by the President of India at a ceremony held in New Delhi. Since the 70th National Film Awards, the name was changed to "Best Actor in a Supporting Role". The winner is given a "Rajat Kamal" (Silver Lotus) certificate and a cash prize of ₹2 lakh (US$2,300). Including ties and repeat winners, the government of India has presented a total of 32 Best Supporting Actor awards to 29 different actors. Although Indian cinema produces films in more than 20 languages, the actors whose performances have won awards have worked in one or more of seven major languages: Hindi (18 awards), Tamil (9 awards), Bengali (3 awards), Malayalam (4 awards), Marathi (3 awards), Telugu (1 award), Kannada (1 award). (Full article...)

    The 2022 recipient: Pavan Malhotra

    The National Film Award for Best Actor in a Supporting Role is an honour presented annually at India's National Film Awards ceremony by the National Film Development Corporation of India (NFDC), an organisation set up by the Indian Ministry of Information and Broadcasting. A national panel appointed annually by the NFDC selects the actor who has given the best performance in a supporting role within Indian cinema. The award is presented by the President of India at a ceremony held in New Delhi. Since the 70th National Film Awards, the name was changed to "Best Actor in a Supporting Role".

    The winner is given a "Rajat Kamal" (Silver Lotus) certificate and a cash prize of ₹2 lakh (US$2,300). Including ties and repeat winners, the government of India has presented a total of 32 Best Supporting Actor awards to 29 different actors. Although Indian cinema produces films in more than 20 languages, the actors whose performances have won awards have worked in one or more of seven major languages: Hindi (18 awards), Tamil (9 awards), Bengali (3 awards), Malayalam (4 awards), Marathi (3 awards), Telugu (1 award), Kannada (1 award). (Full article...)
  • Image 25 Kapoor at an event in 2013 Karisma Kapoor is an Indian actress widely known for her work in Hindi films. Kapoor made her acting debut at the age of seventeen with the romance Prem Qaidi in 1991, which was a box office hit. She then appeared in successful ventures, drama Sapne Sajan Ke (1992), and action drama Jigar (1992). Kapoor had her first commercial success in a leading role in romantic action drama Anari (1993), which was a moderate success and was one of the highest-grossing Hindi films of 1993. Between 1993–1996 she featured in several highly successful films, including the comedy drama Raja Babu (1994), action drama Suhaag (1994), action comedy Andaz (1994), the comedies Coolie No. 1 (1995), Saajan Chale Sasural (1996), and Hero No. 1 (1997), and the action thriller Jeet (1996). The success of these films marked a turning point in her career, and established Kapoor as one of the leading actresses in Hindi cinema. Kapoor's career prospects improved in 1996 when Dharmesh Darshan cast her in his romantic drama Raja Hindustani. With worldwide earnings of ₹763.4 million (US$8.7 million), it emerged as the highest-grossing film of the year and the fourth highest-grossing film in India of the 1990s. The film earned her praise from critics, and Kapoor won her first Filmfare Award for Best Actress. The following year, she received widespread recognition as well as the National Film Award and Filmfare Award for Best Supporting Actress for portraying a headstrong dancer in Dil To Pagal Hai, a musical romantic drama produced by Yash Raj Films. Subsequently, she played leading roles in several blockbuster films, including the comedies Biwi No.1 (1999), the ensemble family drama Hum Saath-Saath Hain (1999), and the romantic comedy Dulhan Hum Le Jayenge (2000). Her acclaimed performance of a disillusioned sister of Hrithik Roshan's character in the crime drama Fiza (2000) which earned her a second Best Actress award at Filmfare. The following year, she portrayed actress Zubeida Begum in the biographical drama Zubeidaa (2001), won her a Filmfare Award for Best Actress (Critics). In 2002, she portrayed a troubled daughter-in-law in the revenge-seeking war drama Shakti: The Power. (Full article...)
    An image of Karisma Kapoor.
    Kapoor at an event in 2013

    Karisma Kapoor is an Indian actress widely known for her work in Hindi films. Kapoor made her acting debut at the age of seventeen with the romance Prem Qaidi in 1991, which was a box office hit. She then appeared in successful ventures, drama Sapne Sajan Ke (1992), and action drama Jigar (1992). Kapoor had her first commercial success in a leading role in romantic action drama Anari (1993), which was a moderate success and was one of the highest-grossing Hindi films of 1993. Between 1993–1996 she featured in several highly successful films, including the comedy drama Raja Babu (1994), action drama Suhaag (1994), action comedy Andaz (1994), the comedies Coolie No. 1 (1995), Saajan Chale Sasural (1996), and Hero No. 1 (1997), and the action thriller Jeet (1996). The success of these films marked a turning point in her career, and established Kapoor as one of the leading actresses in Hindi cinema.

    Kapoor's career prospects improved in 1996 when Dharmesh Darshan cast her in his romantic drama Raja Hindustani. With worldwide earnings of ₹763.4 million (US$8.7 million), it emerged as the highest-grossing film of the year and the fourth highest-grossing film in India of the 1990s. The film earned her praise from critics, and Kapoor won her first Filmfare Award for Best Actress. The following year, she received widespread recognition as well as the National Film Award and Filmfare Award for Best Supporting Actress for portraying a headstrong dancer in Dil To Pagal Hai, a musical romantic drama produced by Yash Raj Films. Subsequently, she played leading roles in several blockbuster films, including the comedies Biwi No.1 (1999), the ensemble family drama Hum Saath-Saath Hain (1999), and the romantic comedy Dulhan Hum Le Jayenge (2000). Her acclaimed performance of a disillusioned sister of Hrithik Roshan's character in the crime drama Fiza (2000) which earned her a second Best Actress award at Filmfare. The following year, she portrayed actress Zubeida Begum in the biographical drama Zubeidaa (2001), won her a Filmfare Award for Best Actress (Critics). In 2002, she portrayed a troubled daughter-in-law in the revenge-seeking war drama Shakti: The Power. (Full article...)
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  • Image 1 Nilofar shortly before peak intensity on October 28 Extremely Severe Cyclonic Storm Nilofar was, at the time, the third-strongest cyclone in the Arabian Sea. In late October 2014, it reached peak maximum sustained winds estimated between 205 km/h (125 mph) and 215 km/h (130 mph). The India Meteorological Department (IMD) named it Nilofar; the name refers to the water lily, and was suggested by Pakistan. The western fringes of the storm caused flash flooding in northeastern Oman, killing four people. Nilofar originated from a low-pressure area between India and the Arabian Peninsula. It developed into a depression on October 25 and moved generally northward through an area of favorable conditions. The system intensified into a cyclonic storm on October 26. Quickly organizing due to the conditions, Nilofar developed a well-defined eye and structure, attaining its peak intensity on October 28. At the time, Nilofar was expected to make landfall in western India, prompting evacuations and preparations. However, high wind shear caused the storm to rapidly weaken, and Nilofar degraded into a remnant low-pressure area on October 31 off the Indian state of Gujarat. (Full article...)

    Nilofar shortly before peak intensity on October 28

    Extremely Severe Cyclonic Storm Nilofar was, at the time, the third-strongest cyclone in the Arabian Sea. In late October 2014, it reached peak maximum sustained winds estimated between 205 km/h (125 mph) and 215 km/h (130 mph). The India Meteorological Department (IMD) named it Nilofar; the name refers to the water lily, and was suggested by Pakistan. The western fringes of the storm caused flash flooding in northeastern Oman, killing four people.

    Nilofar originated from a low-pressure area between India and the Arabian Peninsula. It developed into a depression on October 25 and moved generally northward through an area of favorable conditions. The system intensified into a cyclonic storm on October 26. Quickly organizing due to the conditions, Nilofar developed a well-defined eye and structure, attaining its peak intensity on October 28. At the time, Nilofar was expected to make landfall in western India, prompting evacuations and preparations. However, high wind shear caused the storm to rapidly weaken, and Nilofar degraded into a remnant low-pressure area on October 31 off the Indian state of Gujarat. (Full article...)
  • Image 2 Royal Stag, also known as Seagram's Royal Stag, is an Indian whisky launched in 1995. It is available in many countries across the world in various pack sizes. It is Pernod Ricard's best selling brand by volume. It is a blend of grain spirits and imported Scotch malts. It is commonly available in 1 L, 750 mL, 375 mL and 180 mL bottles and also available in 90 mL and 60 mL bottles. The brand is named after a species of deer famous for its antlers, that is also featured in its logo. It is produced in several company-owned as well as bottler-owned distilleries. It was the first whisky brand launched in India that did not use any artificial flavours. Pernod Ricard has identified Royal Stag along with Seagram's Imperial Blue, Seagram's Blenders Pride, Chivas Regal and Seagram's 100 Pipers as the company's five core brands to build its spirits business in India. Royal Stag sold 12.3 million cases in 2011, toppling Absolut Vodka, to become Pernod Ricard's biggest selling brand in its global portfolio of alcoholic beverages. Royal Stag sold 18 million cases in 2016. (Full article...)

    Royal Stag, also known as Seagram's Royal Stag, is an Indian whisky launched in 1995. It is available in many countries across the world in various pack sizes. It is Pernod Ricard's best selling brand by volume. It is a blend of grain spirits and imported Scotch malts. It is commonly available in 1 L, 750 mL, 375 mL and 180 mL bottles and also available in 90 mL and 60 mL bottles. The brand is named after a species of deer famous for its antlers, that is also featured in its logo. It is produced in several company-owned as well as bottler-owned distilleries. It was the first whisky brand launched in India that did not use any artificial flavours.

    Pernod Ricard has identified Royal Stag along with Seagram's Imperial Blue, Seagram's Blenders Pride, Chivas Regal and Seagram's 100 Pipers as the company's five core brands to build its spirits business in India. Royal Stag sold 12.3 million cases in 2011, toppling Absolut Vodka, to become Pernod Ricard's biggest selling brand in its global portfolio of alcoholic beverages. Royal Stag sold 18 million cases in 2016. (Full article...)
  • Image 3 Khasi women Multiple tribes in the state of Meghalaya in northeast India practise matrilineal descent. Often referred to as Khasi people and Garo people, among the Khasi people which is a term used as a blanket term for various subgroups in Meghalaya who have distinguishing languages, rites, ceremonies, and habits, but share an ethnic identity as Ki Hynniew Trep (The Seven Huts) whereas the Garo people refers to the various groups of Achik people. The Khasi, Garo, and other subgroups have a proud heritage, including matrilineality, although it was reported in 2004 that they were losing some of their matrilineal traits. The tribes are said to belong to one of the "largest surviving matrilineal culture[s]" in the world. (Full article...)
    Khasi women

    Multiple tribes in the state of Meghalaya in northeast India practise matrilineal descent. Often referred to as Khasi people and Garo people, among the Khasi people which is a term used as a blanket term for various subgroups in Meghalaya who have distinguishing languages, rites, ceremonies, and habits, but share an ethnic identity as Ki Hynniew Trep (The Seven Huts) whereas the Garo people refers to the various groups of Achik people. The Khasi, Garo, and other subgroups have a proud heritage, including matrilineality, although it was reported in 2004 that they were losing some of their matrilineal traits. The tribes are said to belong to one of the "largest surviving matrilineal culture[s]" in the world. (Full article...)
  • Image 4 Reconstructed skull, Regional Museum of Natural History, Bhopal Rajasaurus (meaning "King lizard") is a genus of carnivorous abelisaurid theropod dinosaur from the Late Cretaceous of India, containing one species: Rajasaurus narmadensis. The bones were excavated from the Lameta Formation in the Gujarat state of Western India, probably inhabiting what is now the Narmada River Valley. It was formally described by palaeontologist Jeffrey A. Wilson and colleagues in 2003 based on a partial skeleton comprising the braincase, spine, hip bone, legs, and tail–a first for an Indian theropod. The dinosaur likely measured 6.6 metres (22 ft), and had a single horn on the forehead which was probably used for display and head-butting. Like other abelisaurids, Rajasaurus was probably an ambush predator. India at this time was an island, due to the break-up of the supercontinent Gondwana, though it is possible animals still were able to migrate to and from nearby continents. The creation of the subfamily Majungasaurinae, and its inclusion of abelisaurids from India, Madagascar, and Europe–including Rajasaurus–further reiterates this. The Lameta Formation has yielded several other dinosaur species, including abelisaurids and titanosaurian sauropods, similar to other Gondwanan landmasses. The area during the Cretaceous was probably forested, and served as nesting grounds for several creatures. (Full article...)

    Reconstructed skull, Regional Museum of Natural History, Bhopal

    Rajasaurus (meaning "King lizard") is a genus of carnivorous abelisaurid theropod dinosaur from the Late Cretaceous of India, containing one species: Rajasaurus narmadensis. The bones were excavated from the Lameta Formation in the Gujarat state of Western India, probably inhabiting what is now the Narmada River Valley. It was formally described by palaeontologist Jeffrey A. Wilson and colleagues in 2003 based on a partial skeleton comprising the braincase, spine, hip bone, legs, and tail–a first for an Indian theropod. The dinosaur likely measured 6.6 metres (22 ft), and had a single horn on the forehead which was probably used for display and head-butting. Like other abelisaurids, Rajasaurus was probably an ambush predator.

    India at this time was an island, due to the break-up of the supercontinent Gondwana, though it is possible animals still were able to migrate to and from nearby continents. The creation of the subfamily Majungasaurinae, and its inclusion of abelisaurids from India, Madagascar, and Europe–including Rajasaurus–further reiterates this. The Lameta Formation has yielded several other dinosaur species, including abelisaurids and titanosaurian sauropods, similar to other Gondwanan landmasses. The area during the Cretaceous was probably forested, and served as nesting grounds for several creatures. (Full article...)
  • Image 5 The Seven Mother Goddesses (Matrikas) flanked by Shiva (left) and Ganesha (right) Matrikas (Sanskrit: मातृका (singular), IAST: mātṛkā, lit. "mothers") also called Mataras or Matri, are a group of mother goddesses who are always depicted together in Hinduism. The Matrikas are often depicted in a group of seven, the Saptamatrika(s) (Seven Mothers). However, they are also depicted as a group of eight, the Ashtamatrika(s). In the Brihat Samhita, Varahamihira says that "Matrikas are forms of Parvati taken by her with cognizance of (different major Hindu) gods corresponding to their names." They are associated with these gods as their energies (Shaktis). Brahmani emerged from Brahma, Vaishnavi from Vishnu, Maheshvari from Shiva, Indrani from Indra, Kaumari from Kartikeya, Varahi from Varaha and Chamunda from Chandi. And additionals are Narasimhi from Narasimha and Vinayaki from Ganesha. Originally the seven goddesses of the seven stars of the star cluster of the Pleiades, they became quite popular by the seventh century CE and a standard feature of the Hindu goddesses's temples from the ninth century CE onwards. In South India, Saptamatrikas worship is prevalent whereas the Ashtamatrikas are venerated in Nepal, among other places. (Full article...)

    The Seven Mother Goddesses (Matrikas) flanked by Shiva (left) and Ganesha (right)

    Matrikas (Sanskrit: मातृका (singular), IAST: mātṛkā, lit. "mothers") also called Mataras or Matri, are a group of mother goddesses who are always depicted together in Hinduism. The Matrikas are often depicted in a group of seven, the Saptamatrika(s) (Seven Mothers). However, they are also depicted as a group of eight, the Ashtamatrika(s). In the Brihat Samhita, Varahamihira says that "Matrikas are forms of Parvati taken by her with cognizance of (different major Hindu) gods corresponding to their names." They are associated with these gods as their energies (Shaktis). Brahmani emerged from Brahma, Vaishnavi from Vishnu, Maheshvari from Shiva, Indrani from Indra, Kaumari from Kartikeya, Varahi from Varaha and Chamunda from Chandi. And additionals are Narasimhi from Narasimha and Vinayaki from Ganesha.

    Originally the seven goddesses of the seven stars of the star cluster of the Pleiades, they became quite popular by the seventh century CE and a standard feature of the Hindu goddesses's temples from the ninth century CE onwards. In South India, Saptamatrikas worship is prevalent whereas the Ashtamatrikas are venerated in Nepal, among other places. (Full article...)
  • Image 6 The Arya Chakravarti dynasty (Tamil: ஆரியச் சக்கரவர்த்திகள் வம்சம், Sinhalese: ආර්ය චක්‍රවර්තී රාජවංශය) were kings of the Jaffna Kingdom in Sri Lanka. The earliest Sri Lankan sources, between 1277 and 1283, mention a military leader of this name as a minister in the services of the Pandyan Empire; he raided the western Sri Lankan coast and took the politically significant relic of the Buddha's tooth from the Sinhalese capital city of Yapahuwa. Political and military leaders of the same family name left a number of inscriptions in the modern-day Tamil Nadu state, with dates ranging from 1272 to 1305, during the late Pandyan Empire. According to contemporary native literature, such as Cekaracecekaramalai, the family also claimed lineage from the Tamil Brahmins of the prominent Hindu pilgrimage temple of Rameswaram in the modern Ramanathapuram District of India. They ruled the Jaffna kingdom from the 13th until the 17th century, when the last of the dynasty, Cankili II, was ousted by the Portuguese. (Full article...)

    The Arya Chakravarti dynasty (Tamil: ஆரியச் சக்கரவர்த்திகள் வம்சம், Sinhalese: ආර්ය චක්‍රවර්තී රාජවංශය) were kings of the Jaffna Kingdom in Sri Lanka. The earliest Sri Lankan sources, between 1277 and 1283, mention a military leader of this name as a minister in the services of the Pandyan Empire; he raided the western Sri Lankan coast and took the politically significant relic of the Buddha's tooth from the Sinhalese capital city of Yapahuwa. Political and military leaders of the same family name left a number of inscriptions in the modern-day Tamil Nadu state, with dates ranging from 1272 to 1305, during the late Pandyan Empire. According to contemporary native literature, such as Cekaracecekaramalai, the family also claimed lineage from the Tamil Brahmins of the prominent Hindu pilgrimage temple of Rameswaram in the modern Ramanathapuram District of India. They ruled the Jaffna kingdom from the 13th until the 17th century, when the last of the dynasty, Cankili II, was ousted by the Portuguese. (Full article...)
  • Image 7 My Friend Pinto is a 2011 Indian Hindi-language musical comedy film written and directed by Raaghav Dar, in his feature-length directorial debut. It stars Prateik Babbar as Michael Pinto, a well intentioned simpleton and follows his misadventures over the course of New Year's Eve in Mumbai. Produced by Sanjay Leela Bhansali and Ronnie Screwvala, and distributed by UTV Motion Pictures, it has elements of picaresque, slapstick comedy and multiple musical sequences. The film features Kalki Koechlin, Arjun Mathur, Shruti Seth, Makarand Deshpande, Rajendranath Zutshi and Divya Dutta in supporting roles. Although Dar had written the script while working as an assistant director on Jaane Tu... Ya Jaane Na (2008), it was not until he met Bhansali that he began working on a proper screenplay. Conceived as a musical comedy, My Friend Pinto had multiple sequences choreographed by Longinus Fernandes, featuring Babbar and Koechlin primarily. Principal photography was done over a period of two and a half years in South Mumbai, mostly during night. The film's soundtrack was composed by the music director duo Ajay–Atul, while Hitesh Sonik composed the background score and a surplus song. (Full article...)
    My Friend Pinto is a 2011 Indian Hindi-language musical comedy film written and directed by Raaghav Dar, in his feature-length directorial debut. It stars Prateik Babbar as Michael Pinto, a well intentioned simpleton and follows his misadventures over the course of New Year's Eve in Mumbai. Produced by Sanjay Leela Bhansali and Ronnie Screwvala, and distributed by UTV Motion Pictures, it has elements of picaresque, slapstick comedy and multiple musical sequences. The film features Kalki Koechlin, Arjun Mathur, Shruti Seth, Makarand Deshpande, Rajendranath Zutshi and Divya Dutta in supporting roles.

    Although Dar had written the script while working as an assistant director on Jaane Tu... Ya Jaane Na (2008), it was not until he met Bhansali that he began working on a proper screenplay. Conceived as a musical comedy, My Friend Pinto had multiple sequences choreographed by Longinus Fernandes, featuring Babbar and Koechlin primarily. Principal photography was done over a period of two and a half years in South Mumbai, mostly during night. The film's soundtrack was composed by the music director duo Ajay–Atul, while Hitesh Sonik composed the background score and a surplus song. (Full article...)
  • Image 8 My Life in Orange: Growing Up with the Guru is an account of a child growing up in the Rajneesh movement led by Bhagwan Shree Rajneesh. The book is a firsthand account, written by Tim Guest at the age of 27, years after his experiences. The book was published in 2004 by Granta Books. The book's title is a reference to the term "the orange people", which was used to refer to members of the Rajneesh movement due to the color they dyed their clothes. Guest describes how his mother was initially raised in strict Catholicism, but later turned to a tape of Bhagwan Shree Rajneesh after going through a period of experimenting with sex and drugs. She dyed all of her clothes orange, took on the name of "Ma Prem Vismaya", and "Yogesh" for her son, and moved to a Rajneesh movement commune near Bombay. Guest's mother moved to many different communes, and had leadership roles within the movement, eventually running a commune in Suffolk. Guest recounts how he regretted the absence of his mother's presence during this time, and describes controversial living conditions with other children at the various ashrams. Guest and his mother moved to the 64,000-acre (260 km2) commune in Oregon, but his mother was demoted in position and sent to live at a different commune in Cologne. His family later disassociated from the Rajneesh movement and moved back to North London, where they each encountered difficulties reintegrating back into mainstream society. (Full article...)
    My Life in Orange: Growing Up with the Guru is an account of a child growing up in the Rajneesh movement led by Bhagwan Shree Rajneesh. The book is a firsthand account, written by Tim Guest at the age of 27, years after his experiences. The book was published in 2004 by Granta Books. The book's title is a reference to the term "the orange people", which was used to refer to members of the Rajneesh movement due to the color they dyed their clothes.

    Guest describes how his mother was initially raised in strict Catholicism, but later turned to a tape of Bhagwan Shree Rajneesh after going through a period of experimenting with sex and drugs. She dyed all of her clothes orange, took on the name of "Ma Prem Vismaya", and "Yogesh" for her son, and moved to a Rajneesh movement commune near Bombay. Guest's mother moved to many different communes, and had leadership roles within the movement, eventually running a commune in Suffolk. Guest recounts how he regretted the absence of his mother's presence during this time, and describes controversial living conditions with other children at the various ashrams. Guest and his mother moved to the 64,000-acre (260 km2) commune in Oregon, but his mother was demoted in position and sent to live at a different commune in Cologne. His family later disassociated from the Rajneesh movement and moved back to North London, where they each encountered difficulties reintegrating back into mainstream society. (Full article...)
  • Image 9 The cyclone on 29 October at its record peak intensity, as it made landfall on Odisha The 1999 Odisha cyclone (IMD designation BOB 06, JTWC designation 05B) was the most intense recorded tropical cyclone in the North Indian Ocean and among the most destructive in the region. The 1999 Odisha cyclone organized into a tropical depression in the Andaman Sea on 25 October, though its origins could be traced back to an area of convection in the Sulu Sea four days prior. The disturbance gradually strengthened as it took a west-northwesterly path, reaching cyclonic storm strength the next day. Aided by highly favorable conditions, the storm rapidly intensified, attaining super cyclonic storm intensity on 28 October, before peaking on the next day with winds of 260 km/h (160 mph) and a record-low pressure of 912 mbar (hPa; 26.93 inHg). The storm maintained this intensity as it made landfall on Odisha on 29 October. The cyclone steadily weakened due to persistent land interaction and dry air, remaining quasi-stationary for two days before slowly drifting offshore as a much weaker system; the storm dissipated on 4 November over the Bay of Bengal. Although its primary effects were felt in a localized area of India, the outer fringes of the super cyclone impacted Myanmar and Bangladesh. Ten people were killed in the former, while two were killed in the latter by the storm's rainbands. The storm was the most severe to strike Odisha in the 20th century, raking the state and adjacent areas with high storm surge, powerful winds, and torrential rainfall. The storm's impacts exacerbated the damage caused by a very severe cyclone that struck the same region less than two weeks earlier. The 5–6 m (16–20 ft) surge brought water up to 35 km (20 mi) inland, carrying along with it coastal debris and inundating towns and villages. The surge combined with heavy rains to produce widespread flooding, damaging around 1.6 million homes and causing rivers to breach 20,005 flood embankments. The storm's effects destroyed numerous crops, including sugar cane, rice, and other winter-time harvests. Although estimates of the death toll varied significantly—at times suggesting 30,000 fatalities—the Government of India enumerated 9,887 fatalities in the country, of which a majority were caused by storm surge; over 8,000 deaths occurred in Jagatsinghpur. The total damage cost of the destruction wrought by the super cyclone amounted to US$4.44 billion. (Full article...)

    The cyclone on 29 October at its record peak intensity, as it made landfall on Odisha

    The 1999 Odisha cyclone (IMD designation BOB 06, JTWC designation 05B) was the most intense recorded tropical cyclone in the North Indian Ocean and among the most destructive in the region. The 1999 Odisha cyclone organized into a tropical depression in the Andaman Sea on 25 October, though its origins could be traced back to an area of convection in the Sulu Sea four days prior. The disturbance gradually strengthened as it took a west-northwesterly path, reaching cyclonic storm strength the next day. Aided by highly favorable conditions, the storm rapidly intensified, attaining super cyclonic storm intensity on 28 October, before peaking on the next day with winds of 260 km/h (160 mph) and a record-low pressure of 912 mbar (hPa; 26.93 inHg). The storm maintained this intensity as it made landfall on Odisha on 29 October. The cyclone steadily weakened due to persistent land interaction and dry air, remaining quasi-stationary for two days before slowly drifting offshore as a much weaker system; the storm dissipated on 4 November over the Bay of Bengal.

    Although its primary effects were felt in a localized area of India, the outer fringes of the super cyclone impacted Myanmar and Bangladesh. Ten people were killed in the former, while two were killed in the latter by the storm's rainbands. The storm was the most severe to strike Odisha in the 20th century, raking the state and adjacent areas with high storm surge, powerful winds, and torrential rainfall. The storm's impacts exacerbated the damage caused by a very severe cyclone that struck the same region less than two weeks earlier. The 5–6 m (16–20 ft) surge brought water up to 35 km (20 mi) inland, carrying along with it coastal debris and inundating towns and villages. The surge combined with heavy rains to produce widespread flooding, damaging around 1.6 million homes and causing rivers to breach 20,005 flood embankments. The storm's effects destroyed numerous crops, including sugar cane, rice, and other winter-time harvests. Although estimates of the death toll varied significantly—at times suggesting 30,000 fatalities—the Government of India enumerated 9,887 fatalities in the country, of which a majority were caused by storm surge; over 8,000 deaths occurred in Jagatsinghpur. The total damage cost of the destruction wrought by the super cyclone amounted to US$4.44 billion. (Full article...)
  • Image 10 Bust of Mesrop Taghiadian in the village of Karbi in Armenia Mesrop Davtian Taghiadian or Taghiadiants (Armenian: Մեսրոպ Դաւթեան Թաղիադեան; 2 January 1803 – 10 June 1858) was a nineteenth-century Armenian writer, educator and journalist. He wrote prolifically in Classical Armenian and is regarded as one of the first Armenian authors of the Romantic movement, as well as one of the earliest modern Armenian fiction writers. Taghiadian was born in Iranian-ruled Armenia, but lived most of his life away from his homeland. He was educated at the seminary of Etchmiadzin and traveled throughout Armenia with his teacher collecting folk songs and oral traditions. He attained the rank of deacon in the Armenian Church. Taghiadian emigrated to India to pursue further education. He graduated from Bishop's College in Calcutta (then ruled by the British East India Company, now modern Kolkata) in 1830 and published his first literary works during his time there. In 1831, Taghiadian left India and unsuccessfully attempted to establish a school of his own, first in New Julfa, Iran, then in Armenia. He worked as a teacher in Iran and married Tangkhatun Setian, the daughter of an Armenian merchant, who died in 1837. Taghiadian then lived briefly in Constantinople, where he narrowly escaped a plot against him by the Armenian Patriarch and again settled in Calcutta. In the 1840s and 1850s, he published an Armenian periodical, Azgaser, and ran an Armenian school for boys and girls. Having closed his periodical and school and frequently clashing with other members of the Armenian community of Calcutta, Taghiadian decided to return to Armenia. He fell ill and died on the way to Armenia in Shiraz, Iran in 1858. (Full article...)

    Bust of Mesrop Taghiadian in the village of Karbi in Armenia

    Mesrop Davtian Taghiadian or Taghiadiants (Armenian: Մեսրոպ Դաւթեան Թաղիադեան; 2 January 1803 – 10 June 1858) was a nineteenth-century Armenian writer, educator and journalist. He wrote prolifically in Classical Armenian and is regarded as one of the first Armenian authors of the Romantic movement, as well as one of the earliest modern Armenian fiction writers.

    Taghiadian was born in Iranian-ruled Armenia, but lived most of his life away from his homeland. He was educated at the seminary of Etchmiadzin and traveled throughout Armenia with his teacher collecting folk songs and oral traditions. He attained the rank of deacon in the Armenian Church. Taghiadian emigrated to India to pursue further education. He graduated from Bishop's College in Calcutta (then ruled by the British East India Company, now modern Kolkata) in 1830 and published his first literary works during his time there. In 1831, Taghiadian left India and unsuccessfully attempted to establish a school of his own, first in New Julfa, Iran, then in Armenia. He worked as a teacher in Iran and married Tangkhatun Setian, the daughter of an Armenian merchant, who died in 1837. Taghiadian then lived briefly in Constantinople, where he narrowly escaped a plot against him by the Armenian Patriarch and again settled in Calcutta. In the 1840s and 1850s, he published an Armenian periodical, Azgaser, and ran an Armenian school for boys and girls. Having closed his periodical and school and frequently clashing with other members of the Armenian community of Calcutta, Taghiadian decided to return to Armenia. He fell ill and died on the way to Armenia in Shiraz, Iran in 1858. (Full article...)
  • Image 11 Amee Kamani (born 3 June 1992) is an Indian snooker player. She was runner-up in the 2016 International Billiards and Snooker Federation World Snooker championship, losing 0–5 in the final to the defending champion Wendy Jans. Kamani was the 2018 Asian Billiards Sports Championships Ladies (ACBS Asian Snooker Championship) Champion after defeating Siripaporn Nuanthakhamjan 3–0 in the final, and was runner-up at the 2014 Australian Open (0–3 to Jessica Woods) and the 2019 International Billiards and Snooker Federation Women's six-reds snooker championship (2–4 against Nutcharut Wongharuthai). After a sporting focus on table tennis for ten years until she was 17, Kamani then took up cue sports competitively. She has won three Indian national titles at snooker and two at English billiards, and was a member of the victorious Asia women's team at the 2019 World Team Trophy, a test event for the 2024 Summer Olympics. (Full article...)
    Amee Kamani (born 3 June 1992) is an Indian snooker player. She was runner-up in the 2016 International Billiards and Snooker Federation World Snooker championship, losing 0–5 in the final to the defending champion Wendy Jans. Kamani was the 2018 Asian Billiards Sports Championships Ladies (ACBS Asian Snooker Championship) Champion after defeating Siripaporn Nuanthakhamjan 3–0 in the final, and was runner-up at the 2014 Australian Open (0–3 to Jessica Woods) and the 2019 International Billiards and Snooker Federation Women's six-reds snooker championship (2–4 against Nutcharut Wongharuthai).

    After a sporting focus on table tennis for ten years until she was 17, Kamani then took up cue sports competitively. She has won three Indian national titles at snooker and two at English billiards, and was a member of the victorious Asia women's team at the 2019 World Team Trophy, a test event for the 2024 Summer Olympics. (Full article...)
  • Image 12 The Oxford Union debating chamber During a debate at the Oxford Union on 28 May 2015, the Indian Member of Parliament, diplomat and writer Shashi Tharoor delivered a speech supporting the motion "Britain owes reparations to her former colonies". Tharoor was the seventh speaker in the debate, the final speaker from the proposition, and spoke for about fifteen minutes. While criticising the opposition, he argued that British colonial rule damaged the Indian economy. Tharoor began his speech by arguing that the economic progress of Britain from the 18th-century onwards was financed by the economic exploitation and de-industrialisation of British India. He cited other negative effects of colonial rule on India, such as famines and the mandatory contribution of Indians toward the British war effort during the First and Second World Wars. Tharoor argued that supposed benefits of British colonialism, such as railways and democracy, were either constructed for the purposes of furthering economic exploitation or devised by Indians themselves. He ended his speech by suggesting that Britain pay one pound sterling per annum for the next two centuries as symbolic reparation. The side in favour of the motion won, with 185 votes to 56. (Full article...)
    The Oxford Union debating chamber


    During a debate at the Oxford Union on 28 May 2015, the Indian Member of Parliament, diplomat and writer Shashi Tharoor delivered a speech supporting the motion "Britain owes reparations to her former colonies". Tharoor was the seventh speaker in the debate, the final speaker from the proposition, and spoke for about fifteen minutes. While criticising the opposition, he argued that British colonial rule damaged the Indian economy.

    Tharoor began his speech by arguing that the economic progress of Britain from the 18th-century onwards was financed by the economic exploitation and de-industrialisation of British India. He cited other negative effects of colonial rule on India, such as famines and the mandatory contribution of Indians toward the British war effort during the First and Second World Wars. Tharoor argued that supposed benefits of British colonialism, such as railways and democracy, were either constructed for the purposes of furthering economic exploitation or devised by Indians themselves. He ended his speech by suggesting that Britain pay one pound sterling per annum for the next two centuries as symbolic reparation. The side in favour of the motion won, with 185 votes to 56. (Full article...)
  • Image 13 View of the fort complex and bridge The Orchha Fort complex, which houses a large number of ancient monuments consisting of the fort, palaces, temple, and other edifices, is located in the Orchha town in the Indian state of Madhya Pradesh. The fort and other structures within it were built by the Bundela Rajputs starting from the early 16th century by King Rudra Pratap Singh of the Orchha State and others who followed him. The fort complex, which is accessed from an arched causeway, leads to a large gateway. This is followed by a large quadrangular open yard surrounded by palaces. These are Raja Mahal or Raja Mandir, Sheesh Mahal, Jahangir Mahal, a temple, gardens and pavilions. The battlements of the fort have ornamentation. Notable architectural features in the fort complex are projecting balconies, open flat areas and decorated latticed windows. (Full article...)

    View of the fort complex and bridge

    The Orchha Fort complex, which houses a large number of ancient monuments consisting of the fort, palaces, temple, and other edifices, is located in the Orchha town in the Indian state of Madhya Pradesh. The fort and other structures within it were built by the Bundela Rajputs starting from the early 16th century by King Rudra Pratap Singh of the Orchha State and others who followed him.

    The fort complex, which is accessed from an arched causeway, leads to a large gateway. This is followed by a large quadrangular open yard surrounded by palaces. These are Raja Mahal or Raja Mandir, Sheesh Mahal, Jahangir Mahal, a temple, gardens and pavilions. The battlements of the fort have ornamentation. Notable architectural features in the fort complex are projecting balconies, open flat areas and decorated latticed windows. (Full article...)
  • Image 14 Divya Bharti (Hindi pronunciation: [dɪʋjaː bʱaːrtiː]; 25 February 1974 – 5 April 1993) was an Indian actress known for her work in Hindi and Telugu cinema. She was among the highest-paid Indian actresses of her time and received a Filmfare Award and a Nandi Award for her performances. Bharti began her career as a teenager while working as a pin-up model. She made her acting debut with the Telugu film Bobbili Raja (1990), which became a blockbuster at the box office. She subsequently starred in successful Telugu films such as Assembly Rowdy (1991) and Rowdy Alludu (1991), establishing herself as a leading actress in the industry. She received the Nandi Special Jury Award for her performance in Chittemma Mogudu (1992). In 1992, she transitioned to Hindi cinema, making her debut in the action thriller Vishwatma (1992). She gained wider recognition with the success of Shola Aur Shabnam (1992) and further solidified her position with Deewana (1992), for which she won the Filmfare Award for Best Female Debut. (Full article...)

    Divya Bharti (Hindi pronunciation: [dɪʋjaː bʱaːrtiː]; 25 February 1974 – 5 April 1993) was an Indian actress known for her work in Hindi and Telugu cinema. She was among the highest-paid Indian actresses of her time and received a Filmfare Award and a Nandi Award for her performances.

    Bharti began her career as a teenager while working as a pin-up model. She made her acting debut with the Telugu film Bobbili Raja (1990), which became a blockbuster at the box office. She subsequently starred in successful Telugu films such as Assembly Rowdy (1991) and Rowdy Alludu (1991), establishing herself as a leading actress in the industry. She received the Nandi Special Jury Award for her performance in Chittemma Mogudu (1992). In 1992, she transitioned to Hindi cinema, making her debut in the action thriller Vishwatma (1992). She gained wider recognition with the success of Shola Aur Shabnam (1992) and further solidified her position with Deewana (1992), for which she won the Filmfare Award for Best Female Debut. (Full article...)
  • Image 15 U Me Aur Hum (transl. You, Me, and Us) is a 2008 Indian Hindi-language romantic drama film co-written, directed, and produced by Ajay Devgn. The film tells the story of Ajay (Devgn), who meets barmaid Piya (Kajol) on a cruise with his friends (Sumeet Raghavan, Divya Dutta, Karan Khanna, and Isha Sharvani). They fall in love and marry; a few months later, Piya is diagnosed with Alzheimer's disease. The film was announced in May 2007 and was the directorial debut of Devgn, who had long wanted to direct a film. He wrote the story, and the screenplay was written by Robin Bhatt, Sutanu Gupta, and Akash Khurana. Principal photography, by Aseem Bajaj, began in India shortly after the film was announced. It was edited by Dharmendra Sharma, and the background score was written by Monty Sharma. The soundtrack was composed by Vishal Bhardwaj, with lyrics by Munna Dhiman. (Full article...)
    U Me Aur Hum (transl. You, Me, and Us) is a 2008 Indian Hindi-language romantic drama film co-written, directed, and produced by Ajay Devgn. The film tells the story of Ajay (Devgn), who meets barmaid Piya (Kajol) on a cruise with his friends (Sumeet Raghavan, Divya Dutta, Karan Khanna, and Isha Sharvani). They fall in love and marry; a few months later, Piya is diagnosed with Alzheimer's disease.

    The film was announced in May 2007 and was the directorial debut of Devgn, who had long wanted to direct a film. He wrote the story, and the screenplay was written by Robin Bhatt, Sutanu Gupta, and Akash Khurana. Principal photography, by Aseem Bajaj, began in India shortly after the film was announced. It was edited by Dharmendra Sharma, and the background score was written by Monty Sharma. The soundtrack was composed by Vishal Bhardwaj, with lyrics by Munna Dhiman. (Full article...)
  • Image 16 Avro 504 trainers made up some of the Imperial Gift aircraft sent to Britain's dominions. The Imperial Gift was the donation of aircraft from surplus stocks in Britain after World War I to the dominions of the British Empire: Canada, Australia, New Zealand, South Africa and India. On 29 May 1919, the Cabinet of the United Kingdom agreed to give 100 aircraft to the dominions in addition to replacements for aircraft donated to Britain during the war. These aircraft formed the core of newly established air forces in several dominions. In Canada, the 100 British-supplied aircraft, supplemented by another 20, were used to establish the Canadian Air Force in 1920 and Royal Canadian Air Force from 1924. Australia's 100 aircraft, supplemented by an additional 28, were used to establish the Royal Australian Air Force in 1921. New Zealand initially refused the Imperial Gift but later accepted a reduced allotment of 34 aircraft. Most were loaned to private aviation companies, but were returned to government control in the mid-1920s and used to establish the New Zealand Permanent Air Force. (Full article...)
    Left rear quarter view of restored dark brown Avro 504 biplane in Royal Air Force markings, on grass with trees on the horizon, and a partly cloudy sky.
    Avro 504 trainers made up some of the Imperial Gift aircraft sent to Britain's dominions.


    The Imperial Gift was the donation of aircraft from surplus stocks in Britain after World War I to the dominions of the British Empire: Canada, Australia, New Zealand, South Africa and India. On 29 May 1919, the Cabinet of the United Kingdom agreed to give 100 aircraft to the dominions in addition to replacements for aircraft donated to Britain during the war. These aircraft formed the core of newly established air forces in several dominions.

    In Canada, the 100 British-supplied aircraft, supplemented by another 20, were used to establish the Canadian Air Force in 1920 and Royal Canadian Air Force from 1924. Australia's 100 aircraft, supplemented by an additional 28, were used to establish the Royal Australian Air Force in 1921. New Zealand initially refused the Imperial Gift but later accepted a reduced allotment of 34 aircraft. Most were loaned to private aviation companies, but were returned to government control in the mid-1920s and used to establish the New Zealand Permanent Air Force. (Full article...)
  • Image 17 The Telangana Rebellion of 1946–1951 was a communist-led insurrection of peasants against the princely state of Hyderabad in the region of Telangana that escalated out of agitations in 1944–1946. Hyderabad was a feudal monarchy where most of the land was concentrated in the hands of landed aristocrats known as "Durras" or "Doras" in Telangana. Feudal exploitation in the region was more severe compared to others of India; the Durras had complete power over the peasants and could subject them to agricultural slavery. Conditions worsened during the 1930s due to the Great Depression and a transition towards commercial crops. In the 1940s, the peasants started turning towards communism, organised themselves through the Andhra Mahasabha and began a rights movement. catalyzed by a food crisis that affected the region following the end of the Second World War, the movement escalated into a rebellion after the administration and the durras attempted to suppress it. (Full article...)

    The Telangana Rebellion of 1946–1951 was a communist-led insurrection of peasants against the princely state of Hyderabad in the region of Telangana that escalated out of agitations in 1944–1946.

    Hyderabad was a feudal monarchy where most of the land was concentrated in the hands of landed aristocrats known as "Durras" or "Doras" in Telangana. Feudal exploitation in the region was more severe compared to others of India; the Durras had complete power over the peasants and could subject them to agricultural slavery. Conditions worsened during the 1930s due to the Great Depression and a transition towards commercial crops. In the 1940s, the peasants started turning towards communism, organised themselves through the Andhra Mahasabha and began a rights movement. catalyzed by a food crisis that affected the region following the end of the Second World War, the movement escalated into a rebellion after the administration and the durras attempted to suppress it. (Full article...)
  • Image 18 Mahmud Hasan Deobandi (also known as Shaykh al-Hind; 1851–1920) was an Indian Muslim scholar and an activist of the Indian independence movement, who co-founded the Jamia Millia Islamia University and launched the Silk Letter Movement for the freedom of India. He was the first student to study at the Darul Uloom Deoband seminary. His teachers included Muhammad Qasim Nanawtawi and Mahmud Deobandi, and he was authorized in Sufism by Imdadullah Muhajir Makki and Rashid Ahmad Gangohi. Hasan served as the principal of the Darul Uloom Deoband and founded organisations such as the Jamiatul Ansar and the Nizaratul Maarif. He wrote a translation of the Quran in Urdu and authored books such as Adilla-e-Kāmilah, Īzah al-adillah, Ahsan al-Qirā and Juhd al-Muqill. He taught hadith at the Darul Uloom Deoband and copyedited the Sunan Abu Dawud. His major students included Ashraf Ali Thanwi, Anwar Shah Kashmiri, Hussain Ahmad Madani, Kifayatullah Dehlawi, Sanaullah Amritsari and Ubaidullah Sindhi. (Full article...)

    Mahmud Hasan Deobandi (also known as Shaykh al-Hind; 1851–1920) was an Indian Muslim scholar and an activist of the Indian independence movement, who co-founded the Jamia Millia Islamia University and launched the Silk Letter Movement for the freedom of India. He was the first student to study at the Darul Uloom Deoband seminary. His teachers included Muhammad Qasim Nanawtawi and Mahmud Deobandi, and he was authorized in Sufism by Imdadullah Muhajir Makki and Rashid Ahmad Gangohi.

    Hasan served as the principal of the Darul Uloom Deoband and founded organisations such as the Jamiatul Ansar and the Nizaratul Maarif. He wrote a translation of the Quran in Urdu and authored books such as Adilla-e-Kāmilah, Īzah al-adillah, Ahsan al-Qirā and Juhd al-Muqill. He taught hadith at the Darul Uloom Deoband and copyedited the Sunan Abu Dawud. His major students included Ashraf Ali Thanwi, Anwar Shah Kashmiri, Hussain Ahmad Madani, Kifayatullah Dehlawi, Sanaullah Amritsari and Ubaidullah Sindhi. (Full article...)
  • Image 19 Hooda in 2014 Randeep Hooda (pronounced [rəɳdiːp ɦʊɖːa]; born 20 August 1976) is an Indian actor, who works predominantly in Hindi cinema. Hooda is known for his versatility and physical transformations for his roles. He made his Hindi film debut with Monsoon Wedding (2001). He had a turning point in his career with the gangster film Once Upon a Time in Mumbaai (2010), and continued to gain attention with supporting roles in films such as Saheb, Biwi Aur Gangster (2011), Jannat 2 (2012), Jism 2 (2012), Cocktail (2012) and Heroine (2012). Hooda starred in leading roles in several films, including Murder 3 (2013), John Day (2013) and Rang Rasiya (2014); for later, he was nominated for Filmfare Award for Best Actor. He received widespread critical acclaim for his performance in films such as Highway (2014), Main Aur Charles (2015) and Sarbjit (2016). Other notable films are Do Lafzon Ki Kahani (2016), his biggest hits Kick (2014) and Sultan (2016), and also the action film Baaghi 2 (2018). He has also starred in the American film Extraction (2020) and the television series CAT (2022). (Full article...)

    Hooda in 2014

    Randeep Hooda (pronounced [rəɳdiːp ɦʊɖːa]; born 20 August 1976) is an Indian actor, who works predominantly in Hindi cinema. Hooda is known for his versatility and physical transformations for his roles. He made his Hindi film debut with Monsoon Wedding (2001). He had a turning point in his career with the gangster film Once Upon a Time in Mumbaai (2010), and continued to gain attention with supporting roles in films such as Saheb, Biwi Aur Gangster (2011), Jannat 2 (2012), Jism 2 (2012), Cocktail (2012) and Heroine (2012).

    Hooda starred in leading roles in several films, including Murder 3 (2013), John Day (2013) and Rang Rasiya (2014); for later, he was nominated for Filmfare Award for Best Actor. He received widespread critical acclaim for his performance in films such as Highway (2014), Main Aur Charles (2015) and Sarbjit (2016). Other notable films are Do Lafzon Ki Kahani (2016), his biggest hits Kick (2014) and Sultan (2016), and also the action film Baaghi 2 (2018). He has also starred in the American film Extraction (2020) and the television series CAT (2022). (Full article...)
  • Image 20 Black Friday is a 2004 Indian Hindi-language crime film written and directed by Anurag Kashyap. Based on Black Friday: The True Story of the Bombay Bomb Blasts, a book by Hussain Zaidi about the 1993 Bombay bombings, it chronicles the events that led to the blasts and the subsequent police investigation. Produced by Arindam Mitra of Mid-Day, the film stars Pawan Malhotra, Kay Kay Menon, Aditya Srivastava, Kishor Kadam and Zakir Hussain. Mitra, director of operations for Mid Day, approached Kashyap with the book and wanted him to write a television series based on it for the Aaj Tak TV news channel. Kashyap wrote the script in episodes for the six-part miniseries but later felt a feature film was more appropriate for the topic. Aaj Tak backed away from the project, and it was shelved. Kashyap then suggested to the director Aditya Bhattacharya that he make it into a film. When Kashyap told him he felt there was a film to be made about the event, Bhattacharya gave it to him to direct. The film's soundtrack album and the background score were composed by the band Indian Ocean, while the lyrics were written by Piyush Mishra. Natarajan Subramaniam served as the director of photography, while Aarti Bajaj was its editor. (Full article...)
    Black Friday is a 2004 Indian Hindi-language crime film written and directed by Anurag Kashyap. Based on Black Friday: The True Story of the Bombay Bomb Blasts, a book by Hussain Zaidi about the 1993 Bombay bombings, it chronicles the events that led to the blasts and the subsequent police investigation. Produced by Arindam Mitra of Mid-Day, the film stars Pawan Malhotra, Kay Kay Menon, Aditya Srivastava, Kishor Kadam and Zakir Hussain.

    Mitra, director of operations for Mid Day, approached Kashyap with the book and wanted him to write a television series based on it for the Aaj Tak TV news channel. Kashyap wrote the script in episodes for the six-part miniseries but later felt a feature film was more appropriate for the topic. Aaj Tak backed away from the project, and it was shelved. Kashyap then suggested to the director Aditya Bhattacharya that he make it into a film. When Kashyap told him he felt there was a film to be made about the event, Bhattacharya gave it to him to direct. The film's soundtrack album and the background score were composed by the band Indian Ocean, while the lyrics were written by Piyush Mishra. Natarajan Subramaniam served as the director of photography, while Aarti Bajaj was its editor. (Full article...)
  • Image 21 Kumari 21F is a 2015 Indian Telugu-language romantic drama film written by Sukumar and directed by Palnati Surya Pratap. Produced by Bandreddi Vijay Prasad, the film stars Raj Tarun and Hebah Patel. Kumari 21F focuses on a romantic relationship between Siddhu, a chef and Kumari, a struggling model. The film marks the debut of Sukumar, a director and screenwriter in Telugu cinema, as a producer. The film was produced on a budget of ₹6–15 crore. Sukumar took inspiration from his youthful college days in Razole, where a young woman went to a picnic with some young men; a major undertaking for a woman at that time, which earned her the undeserved label of a "loose" character. (Full article...)
    Kumari 21F is a 2015 Indian Telugu-language romantic drama film written by Sukumar and directed by Palnati Surya Pratap. Produced by Bandreddi Vijay Prasad, the film stars Raj Tarun and Hebah Patel. Kumari 21F focuses on a romantic relationship between Siddhu, a chef and Kumari, a struggling model.

    The film marks the debut of Sukumar, a director and screenwriter in Telugu cinema, as a producer. The film was produced on a budget of ₹6–15 crore. Sukumar took inspiration from his youthful college days in Razole, where a young woman went to a picnic with some young men; a major undertaking for a woman at that time, which earned her the undeserved label of a "loose" character. (Full article...)
  • Image 22 Swaminarayan Akshardham in Delhi, India Swaminarayan Akshardham is a Hindu temple and spiritual-cultural campus in Delhi, India. The temple is close to the border with Noida. Also referred to as Akshardham Temple or Akshardham Delhi, the complex displays millennia of traditional and modern Hindu culture, spirituality, and architecture. Inspired by Yogiji Maharaj and created by Pramukh Swami Maharaj, it was constructed by BAPS. It is the world's second-largest BAPS Hindu temple, following Akshardham, New Jersey, in the United States. The temple was officially opened on 6 November 2005 by Pramukh Swami Maharaj in the presence of A. P. J. Abdul Kalam, Manmohan Singh, L.K Advani and B.L Joshi. The temple, at the centre of the complex, was built according to the Vastu shastra and Pancharatra shastra. (Full article...)

    Swaminarayan Akshardham in Delhi, India

    Swaminarayan Akshardham is a Hindu temple and spiritual-cultural campus in Delhi, India. The temple is close to the border with Noida. Also referred to as Akshardham Temple or Akshardham Delhi, the complex displays millennia of traditional and modern Hindu culture, spirituality, and architecture. Inspired by Yogiji Maharaj and created by Pramukh Swami Maharaj, it was constructed by BAPS. It is the world's second-largest BAPS Hindu temple, following Akshardham, New Jersey, in the United States.

    The temple was officially opened on 6 November 2005 by Pramukh Swami Maharaj in the presence of A. P. J. Abdul Kalam, Manmohan Singh, L.K Advani and B.L Joshi. The temple, at the centre of the complex, was built according to the Vastu shastra and Pancharatra shastra. (Full article...)
  • Image 23 Satellite image of the storm near landfall The 1995 India cyclone was a tropical cyclone that struck southeastern India which later spawned a rare snowstorm in Nepal, triggering the deadliest mountain trekking incident in the country's history in November 1995. The storm originated from the monsoon trough on November 7 in the Bay of Bengal, east of India, becoming the penultimate storm of the 1995 North Indian Ocean cyclone season. Moving northwestward, the system gradually intensified while moving toward land, eventually developing an eye in the middle of the convection. Reaching peak winds of at least 120 km/h (75 mph), the India Meteorological Department (IMD) classified the system as a very severe cyclonic storm on November 8, in line with intensity estimates from the American-based Joint Typhoon Warning Center (JTWC). On November 9, the cyclone made landfall near the border of Andhra Pradesh and Orissa. A typical for most November storms, the system continued to the north and dissipated over Nepal on November 11. In India, the cyclone's strong winds were accompanied by heavy rainfall and a storm surge of 1.5 m (4.9 ft) that inundated the coastline several hundred feet inland. Power lines, crops, and houses were damaged, and many boats were damaged, causing several nautical fatalities. The cyclone killed at least 128 people in India, with hundreds remaining unaccounted for, and damage was estimated at RS$1.1 billion (US$32.2 million). In neighboring Bangladesh, high waves killed 45 people after sinking or sweeping away four ships. The cyclone later spawned a rare November snowstorm across eastern Nepal, with depths reaching 2,000 mm (79 in). The snowfall occurred without warning amid the busy mountain trekking season, and there were several avalanches and landslides across the country. One such incident killed 24 people at a lodge near Gokyo, and there were 63 deaths related to the cyclone in the country. The Nepal government launched the largest search and rescue mission in the country's history, rescuing 450 people, some of whom trapped for days in the snow. (Full article...)

    Satellite image of the storm near landfall

    The 1995 India cyclone was a tropical cyclone that struck southeastern India which later spawned a rare snowstorm in Nepal, triggering the deadliest mountain trekking incident in the country's history in November 1995. The storm originated from the monsoon trough on November 7 in the Bay of Bengal, east of India, becoming the penultimate storm of the 1995 North Indian Ocean cyclone season. Moving northwestward, the system gradually intensified while moving toward land, eventually developing an eye in the middle of the convection. Reaching peak winds of at least 120 km/h (75 mph), the India Meteorological Department (IMD) classified the system as a very severe cyclonic storm on November 8, in line with intensity estimates from the American-based Joint Typhoon Warning Center (JTWC). On November 9, the cyclone made landfall near the border of Andhra Pradesh and Orissa. A typical for most November storms, the system continued to the north and dissipated over Nepal on November 11.

    In India, the cyclone's strong winds were accompanied by heavy rainfall and a storm surge of 1.5 m (4.9 ft) that inundated the coastline several hundred feet inland. Power lines, crops, and houses were damaged, and many boats were damaged, causing several nautical fatalities. The cyclone killed at least 128 people in India, with hundreds remaining unaccounted for, and damage was estimated at RS$1.1 billion (US$32.2 million). In neighboring Bangladesh, high waves killed 45 people after sinking or sweeping away four ships. The cyclone later spawned a rare November snowstorm across eastern Nepal, with depths reaching 2,000 mm (79 in). The snowfall occurred without warning amid the busy mountain trekking season, and there were several avalanches and landslides across the country. One such incident killed 24 people at a lodge near Gokyo, and there were 63 deaths related to the cyclone in the country. The Nepal government launched the largest search and rescue mission in the country's history, rescuing 450 people, some of whom trapped for days in the snow. (Full article...)
  • Image 24 Rajiv Gandhi International Airport (IATA: HYD, ICAO: VOHS) is an international airport that serves Hyderabad, the capital of the Indian state of Telangana. It is located in Shamshabad, about 24 kilometres (15 mi) south of Hyderabad and it was opened on 23 March 2008 to replace Begumpet Airport, which was till then the sole civilian airport serving Hyderabad. It is named after Rajiv Gandhi, former Prime Minister of India. Built over an area of 5,500 acres (2,200 ha), it is the largest airport of India by area. It is owned and operated by GMR Hyderabad International Airport Limited (GHIAL), a public–private consortium. It was the first airport in India to launch domestic e-boarding facility in December 2015, followed with international e-boarding facility in October 2020, and ranked in AirHelp's list of top 10 airports in the world. The fourth busiest airport in India by passengers traffic, it handled over 25 million passengers and around 150,000 tonnes (170,000 short tons) of cargo between April 2023 and March 2024. The airport is India's first greenfield airport built under a public-private partnership model. The airport has an integrated passenger terminal, a cargo terminal and two runways. There are also aviation training facilities, a fuel farm, a solar power plant and two maintenance, repair, and operations (MRO) facilities. (Full article...)

    Rajiv Gandhi International Airport (IATA: HYD, ICAO: VOHS) is an international airport that serves Hyderabad, the capital of the Indian state of Telangana. It is located in Shamshabad, about 24 kilometres (15 mi) south of Hyderabad and it was opened on 23 March 2008 to replace Begumpet Airport, which was till then the sole civilian airport serving Hyderabad. It is named after Rajiv Gandhi, former Prime Minister of India. Built over an area of 5,500 acres (2,200 ha), it is the largest airport of India by area. It is owned and operated by GMR Hyderabad International Airport Limited (GHIAL), a public–private consortium. It was the first airport in India to launch domestic e-boarding facility in December 2015, followed with international e-boarding facility in October 2020, and ranked in AirHelp's list of top 10 airports in the world. The fourth busiest airport in India by passengers traffic, it handled over 25 million passengers and around 150,000 tonnes (170,000 short tons) of cargo between April 2023 and March 2024.

    The airport is India's first greenfield airport built under a public-private partnership model. The airport has an integrated passenger terminal, a cargo terminal and two runways. There are also aviation training facilities, a fuel farm, a solar power plant and two maintenance, repair, and operations (MRO) facilities. (Full article...)
  • Image 25 The Kolkata Metro is a rapid transit system serving the city of Kolkata and the Kolkata Metropolitan Region in West Bengal, India. Opened in 1984, it was the first operational rapid transit system in India. It is the second busiest and fifth longest rapid transit system in India. It has one fully operational, and three partly operational lines for a total of 60.28 km (37.46 mi). Two other lines are in various phases of construction and planning. The system has a mix of underground, at-grade, and elevated stations using both broad-gauge and standard-gauge tracks. It operates on a 750 V DC Third rail system. Trains operate between 06:50 and 22:40 IST and the fares range from ₹5 to ₹50. The Kolkata Metro was initially planned in the 1920s, but construction started in the 1970s. The first underground stretch, from Bhawanipore (now Netaji Bhawan) to Esplanade, opened in 1984. A truncated section of Green Line, or the East–West Corridor, from Salt Lake Sector V to Phoolbagan opened in 2020. Purple Line, or the Joka-Eden Gardens Corridor (currently truncated in Majerhat), opened in 2022 while Orange Line, from Kavi Subhash to Hemanta Mukhopadhyay, opened in 2024. It is the second busiest metro network in India after the Delhi Metro and is the fourth-longest operational metro network in India after the Delhi Metro, Namma Metro, Hyderabad Metro. (Full article...)

    The Kolkata Metro is a rapid transit system serving the city of Kolkata and the Kolkata Metropolitan Region in West Bengal, India. Opened in 1984, it was the first operational rapid transit system in India. It is the second busiest and fifth longest rapid transit system in India. It has one fully operational, and three partly operational lines for a total of 60.28 km (37.46 mi). Two other lines are in various phases of construction and planning. The system has a mix of underground, at-grade, and elevated stations using both broad-gauge and standard-gauge tracks. It operates on a 750 V DC Third rail system. Trains operate between 06:50 and 22:40 IST and the fares range from ₹5 to ₹50.

    The Kolkata Metro was initially planned in the 1920s, but construction started in the 1970s. The first underground stretch, from Bhawanipore (now Netaji Bhawan) to Esplanade, opened in 1984. A truncated section of Green Line, or the East–West Corridor, from Salt Lake Sector V to Phoolbagan opened in 2020. Purple Line, or the Joka-Eden Gardens Corridor (currently truncated in Majerhat), opened in 2022 while Orange Line, from Kavi Subhash to Hemanta Mukhopadhyay, opened in 2024. It is the second busiest metro network in India after the Delhi Metro and is the fourth-longest operational metro network in India after the Delhi Metro, Namma Metro, Hyderabad Metro. (Full article...)
More good articles

News

20 March 2025 –
Social media company X files a lawsuit against the government of India alleging that the Indian government is censoring the social media platform along with other information. (DW)
18 March 2025 – 2025 Nagpur violence
A curfew is imposed in parts of Nagpur in Maharashtra, India, after Hindu groups demanded the removal of the tomb of Aurangzeb, a 17th-century Mughal emperor, sparking violence. (BBC News)
9 March 2025 –
In international cricket, India wins the 2025 ICC Champions Trophy by defeating New Zealand in the final. (AP)
7 March 2025 – 2025 United States federal mass layoffs
The Native American Rights Fund, on behalf of five Indigenous American students and three tribes, the Cheyenne and Arapaho Tribes, the Prairie Band Potawatomi Nation, and the Pueblo of Isleta, file a lawsuit against the United States Department of the Interior and the Bureau of Indian Education (BIE) for alleged wrongful dismissals of BIE schoolteachers. (AP)
28 February 2025 – 2024–25 South-West Indian Ocean cyclone season
Three people are killed as tropical cyclone Garance makes landfall in Réunion in the Indian Ocean. (AP)

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